The Dark Read Online Free

which I’d almost describe as a withdrawal, a surrender unique in that she was not giving up anything in particular. These waves, the work of the wind in her hair, were yet another sign of how entirely fitting her presence was. As in a classical image, depth and mystery emanated from this movement, yet it was a contradictory sort of mystery because it relied on a superficial instrument like the air to manifest itself. In the same way, just like at work, Delia surrendered a part of herself when she withdrew; someone observing her might think that at any moment she might cease to be herself, that she might succumb to a force that would isolate and take over her body. But something kept her from crossing that threshold, and this was how Delia was able to maintain the delicate balance between absence and communion.
     
    I said before that the landscape mattered little, that my landscape was the one I kept at my side: her. I experienced that long string of ruins—ex-houses or pre-buildings, scattered across the terrain and indifferent to the way people used them—as a kind of delay or postponement, something secondary to what happened in real life, in the true landscape. But what was Delia’s landscape? I was at her side, therefore it was me. This may sound rash, and maybe a bit vain, but I don’t have any memories that would contradict it—much less from that night. In many novels a character’s nature manifests itself through his face; a portrait is read, a soul glimpsed. But the truth is that faces speak of themselves and also of varied, even contradictory things; they never indicate one thing alone. A serene neck tenses suddenly and for no apparent reason; what can be read into this, aside from the anxiety of the observer? The confusion of the person to whom the gesture was directed? A sensual lip twitches not with desire, but disdain; the arch of a forehead promises intelligence, but also hints at the betrayal soon to follow. Sparkling eyes, as big as moons and as deep with sincerity as the wells I mentioned earlier when speaking of Delia, offer themselves up and crumble, emptied out without ever giving what they promised. An imploring brow, innocent cheeks, nostrils flared with passion. And yet faces say the opposite, contradicting their individual parts. The strength that Delia transmitted, that serene focus, was concentrated in her eyebrows. They were thick and bushy, and though they belonged to something as conventional as a face might seem to be, they were the mark of an untamed or savage past; a sign that became a promise that was, nonetheless, fulfilled.
     
    I had been mistaken about the phrase “pick up some clothes,” the same way I had been about what I’d wanted to see and not to see when I discovered where Delia caught the bus. “Picking up some clothes” meant, to me, “picking up some clothes I lent someone.” This was evidently a specific reading, not exactly wrong, but incorrect. It was also less straightforward than the one I had not wanted to imagine, but which was true all the same: that Delia needed to borrow clothes because there were times when she had nothing else to wear. I discovered this a few days later, under sad circumstances, when she had to return what she’d borrowed. We were walking along a dirt road. It had rained the day before, and as the earth dried out, the steam that rose from the puddles smelled of mud, a scent that called to mind roots, leaves, fruit, and animals or insects, all mixed together. The smell was strong, unmistakable; it felt like being within centimeters of the ground, to that height just above the surface where the particles float at the mercy of the air, the weather, and the movements of the earth, which lift them and then let them fall again, forming a crust in a state of permanent suspension, a halo of proximate gravity. Anyway: we were walking along, upright, as saturated with the humid scent of the mud as if we had been close enough to taste it, when