there.â
âYes. Okay. Watch this, Zack, Bumpy.â He tears off a little piece of cigarette paper and places it right on the Chinamanâs eyeball and pulls his eyelid down over it and the eyelid sticksâstays down right in place. âAnother thing, boys,â he says while he works on the other eye, âlittle trick Mr. Darless taught us. If you ever need what they call a internal cosmetic to give a healthy lifelike glow, then just brew up a pot of coffee and pour that into your arterial mixture.â
â
Who
said that?â said Mr. Copeland.
âDarless. Falton Darless. The one running the school. That was not in the book. But he did say it. I heard him.â He took a stepback from the body. âNow see, boys, you start with this form, in our case, Mr. Ching Chung here, once a young man of promise who got in with the wrong crowd, a crowd of opium fiends. Mr. Chung was out of his element, and penniless, and nothing to look forward to but more hot seasons and freezing seasons swinging that pick, and he had no way to escape except by the tried and true method. And at the point the soul left the bodyââMr. Blankenship stepped back up to the corpse, hooked his thumbs together, and fluttered his hands up from the body like a birdââyou have left here then a mere form, void of all life. You have a sack of clay and your job as master artisan of mortuary science is to make what you haveâthat is dead, and appears deadâinto something so lifelike that you canât help but remember the days when life was there, thriving. You form. You color. You create. You do unto this piece of mere clay. You become a artist.
Artiste
. Of the deceased. Artiste of the deceased. You do this for the friends and relatives of those whose time has come. This is our calling!â
One of the Chinamanâs eyes had come back open.
âOne of his eyes is open,â says Zack.
Mr. Blankenship started fishing through the grip. âThis is our calling,â he said, âto ease bereavement, to help transform the Wild West into the new tame west.â
âOne of his eyes is open.â
âI know that. Iâve got the solution to that problem right here, somewhere.â
âI thought I was doing this,â said Mr. Copeland.
âRight here,â said Mr. Blankenship. âEye caps. The cigarette paper is just for emergencies anyway.â
There was a knock on the door. Mr. Copeland cracked it just enough to see out. It was Sister.
âWhat you want?â said Mr. Copeland.
âItâs getting hot out here. Grandma is getting hot. I can tell.â
âPut her in the cooler. And donât bother us no more. Tell your mama to put her down in the cooler and give her some jelly water.â
Mr. Copeland invented the cooler. Or at least I ainât ever seen another one like it. Heâs invented right many things. But I wouldnât say you could call him an inventor. The cooler is a dug-out room, a tiny room like a closet, dug out like a cellar. Itâs got ceiling beams underneath a cloth ceiling that keeps dirt out, and steps that go down in there, with runner-boards to roll Grandma down there when she gets hot. Heâs got layered burlap covered with a board roof and tarpaper. On top of that he puts a barrel of water and hangs down strips of burlap through the roof from the barrel and the little room cools while the water evaporates. Heâs got oats and grass seed all through the burlap sack and that keeps the water cold. It takes one barrel on regular days and two on hot days to run it in the summer and he can keep two or three muttons in there at a time.
âIf the eye
cap
donât hold,â said Mr. Blankenship, âyou can use this: Form-All. A little dab works like glue . . .â
âCan I come in?â says Sister.
âNo,â says Mr. Copeland.
â. . . or you could use flour and water, but a big hunk of this