Going up the stairs, I was gasping. I expected to sit at the table in the cool kitchen, with the smell of rosemary, spin out a conversation about my imaginary text, talk with a cultured and terrific person.
But this time, the apartment was dark, the blinds were closed, she opened the door in a robe as if I had woken her up, her hair was a mess.
âIâm sorry, maybe I got the time mixed up,â I muttered awkwardly at the door.
âNo, come in,â she said with a nod. âJust give me a minute to get myself together. You can sit in the living room. Iâll open the window a little.â
A bit of light came into the room and she hurried to the inner rooms of the apartment. On the wall was a big print of a Tumarkin, a woman standing in a circle of stones of a sheikhâs grave, with a sketch of a cathedral above it. Maybe thatâs Daphna herself in the picture, twenty years ago. A few minutes later, she came out wearing jeans and a long faded cotton shirt that hid the lines of her body. She was pale and looked exhausted, with dark circles under her eyes. I looked for signs of blows and didnât find any.
âWhat happened?â I asked.
âOh, there was a little action,â she chuckled. âUninvited guests came. Sorry about the welcome, I was sleeping a little before you came. Now Iâm fine.â
âIs there anything I can do to help?â I asked.
Suddenly she looked small and vulnerable, in need of protection. âA few more minutes, OK?â she asked. I heard her walking around the inside rooms and the kitchen, feverishly gathering things and throwing them, opening windows to let in air, destroying evidence of what had happened.
When she came back, her face was more composed and her hair was tied back.
âYouâre sure . . . â
âEverythingâs fine,â she insisted and furtively changed the props. âCome on, letâs talk about your book.â She filled the kettle. âI thought about you a little. The subject youâve chosen really is interesting, maybe something can be built from it. I hope I didnât discourage you too much. I think we left your man on the ship on the way to the island, right?â
I hadnât had time to write a thing since the previous week, and Iâd have to improvise. âI thought of putting in a storm at sea,â I said. âBut maybe that would be too dramatic.â
âPut in drama, Iâm for that,â she said with an exaggerated laugh. She sat down across from me on the broad sofa. âThe Jewish Odysseus, why not . . . â Her mind was definitely not on our meeting. This was the stage in the interrogation where detainees are sent to rest in a cell because itâs clear we wonât get a single rational sentence out of them.
âI want to tell you something,â I said in a quiet voice, as if I were confessing. âI donât know where to go with this story. I feel stuck with it. I almost called you to cancel the meeting today, the whole thing suddenly seemed so artificial. What do I have to do with that? Maybe itâs just a fantasy.â
An afternoon glow capered in the big back window of the living room, a bird passed by it on its way somewhere, Daphnaâs look stuck in me and passed beyond me, as if she saw something fateful through me. âYou can go,â she said.
I searched for a sentence to continue the conversation, struggled with myself not to get up and go to my real work. âYou know that feeling?â I asked.
She sat with her arms crossed, folded up in herself. âOf course itâs a delusion,â she said in a lucid voice. âWith real things there is no beauty or reason as in a story. After the first of lifeâs setbacks, you understand that. I wrote a book when I was twenty-three, everything was as clear as a little girl strolling on the shore, easiest thing in the world, like breathing. Now Iâm trying to