write something new. Itâs harder than hell. I torture myself. After all, this book wonât change the world, I know that, and thereâs nothing genius about my thoughts, I know that, too. Which leaves the story. But every story has already been toldâturn on the television and see all the variations. Nevertheless, I turn out pages and tear them up and am awfully sorry when it doesnât work, sorry enough to cry. Donât know why Iâm bothering you with all this, maybe because Iâve had two hard days, with people coming and going in my house. You came here for my professional services, and instead I bring you into my life. You listen very well.â
I asked: âWho came to your house?â I was mad at myself for not listening to her recent phone conversations.
âPeople.â She looked at me with frozen eyes, but she went on: âThey were searching for my son. They were searching for his things in drawers and under the mattress and in the pots in the kitchen. They tore my whole house apart. When they didnât find anything, they took my jewelry. I donât have anything left. They told me that when they found him, theyâd cut his throat, that he owed them a lot of money. Here, take the story. Raw material for a novella.â
She turned her face toward the big window, the treetop was moving slowly between its corners, and she wept. Maybe Iâd reveal myself now, in her moment of weakness, Iâd offer the deal.
Too soon, I said to myself. Not professional.
I asked how old he was and what he did in life, even though I knew everything.
âIâm scared theyâll catch him,â she wept. âThose people have no fear. Say thanks, sweetie, that we donât bash your face in. Maybe weâll break something anyway, as a souvenir, I trembled next to them and waited for them to finish me off . . . â
I got up to look for some Kleenex for her. I could never bear women crying; they used tears to buy pity for themselves, or a little more time. It only infuriated me.
âDid you call the police?â I asked.
âI canât call the police. What world do you live in? I canât get my son involved any more than he already is.â She went to the bathroom and turned on the faucet again and washed her face and when she came back with her face puffy and red, she said, with a strange laugh: âDonât worry, they arenât your problems. Come on, letâs work with your historical tale. Have you thought of who will play your etrog merchant in the film?â
âWould you believe,â I laughed. âIâm hesitating between Pacino and De Niro. The question is which one would make me more money.â
âYouâre a good fellow,â she said with a smile. âIâm glad you came. Youâre so normal.â
She made tea and brought us some dates. Then she put on some quiet new age music in another room, folded her legs under herself on the sofa and asked me about my childhood in Rehovoth, my mother, my father. I told her about the child I was, secret things I had never told, a reward for the lie I wrapped myself in now. Daphna said that if she were me, she would write about those things, take the materials from there, before sheâd flee to the etrogs of the rabbinic period.
âThat doesnât sound so interesting to me,â I said. All those memories seemed to be dyed gray and dark blue.
âIn the beginning, you donât need a story,â she went back to guiding. âJust train yourself on the details. Before you go splashing paint about, making a gigantic picture of Hannibalâs battles, you need to know how to draw a horse.â
âYou think I can ever draw a horse?â I asked.
âTry,â she said. âI donât yet know how far you can go.â
She gave me a homework assignment for the next meeting. Small exercises for beginners, miniatures of writing on an