even my mother’s dresses were not thrown out—but stored away in an attic closet. The very size of the house absolved him from having to make any decisions about the things it contained. It was not that he was clinging to thepast, trying to preserve the house as a museum. On the contrary, he seemed to be unaware of what he was doing. It was negligence that governed him, not memory, and even though he went on living in that house all those years, he lived in it as a stranger might have. As the years went by, he spent less and less time there. He ate nearly all his meals in restaurants, arranged his social calendar so as to be busy every night, and used the house as little more than a place to sleep. Once, several years ago, I happened to mention to him how much money I had earned from my writing and translating during the previous year (a pittance by any standard, but more than I had ever made before), and his amused response was that he spent more than that just on eating out. The point is: his life was not centered around the place where he lived. His house was just one of many stopping places in a restless, unmoored existence, and this lack of center had the effect of turning him into a perpetual outsider, a tourist of his own life. You never had the feeling that he could be located.
Still, the house seems important to me, if only to the extent that it was neglected—symptomatic of a state of mind that, otherwise inaccessible, manifested itself in the concrete images of unconscious behavior. The house became the metaphor of my father’s life, the exact and faithful representation of his inner world. For although he kept the house tidy and preserved it more or less as it had been, it underwent a gradual and ineluctable process of disintegration. He was neat, he always put things back in their proper place, but nothing was cared for, nothing was ever cleaned. The furniture, especially in the rooms he rarely visited, was covered with dust, cobwebs, the signs of total neglect; the kitchen stove was so encrusted with charred food that it had become unsalvageable; in the cupboard, sometimes languishing on the shelves for years: bug-infested packages of flour, stale crackers, bags of sugar that had turned into solid blocks, bottles of syrup that could no longer be opened. Whenever he prepared a meal for himself, he would immediately and assiduously do the dishes—but rinse them only, never using soap, so that every cup, every saucer, every plate was coated with a film of dingy grease. Throughout the house: thewindow shades, which were kept drawn at all times, had become so threadbare that the slightest tug would pull them apart. Leaks sprang and stained the furniture, the furnace never gave off enough heat, the shower did not work. The house became shabby, depressing to walk into. You felt as if you were entering the house of a blind man.
His friends and family, sensing the madness of the way he lived in that house, kept urging him to sell it and move somewhere else. But he always managed to ward them off with a non-committal “I’m happy here,” or “The house suits me fine.” In the end, however, he did decide to move. At the very end. In the last phone conversation we ever had, ten days before he died, he told me the house had been sold and that the closing was set for February first, about three weeks away. He wanted to know if there was anything in the house I could use, and I agreed to come down for a visit with my wife and Daniel on the first free day that opened up. He died before we had a chance to make it.
There is nothing more terrible, I learned, than having to face the objects of a dead man. Things are inert: they have meaning only in function of the life that makes use of them. When that life ends, the things change, even though they remain the same. They are there and yet not there: tangible ghosts, condemned to survive in a world they no longer belong to. What is one to think, for example, of a