top of that. Four hundred and thirty-four thousand five hundred, that's what he has in it. Cash every six to eight weeks. Right now I've got about nineteen hundred and fifty dollars of his money to spend. It can't come out perfectly even, right?"
"It was switched, you say?"
"Let me show you something," he said. He got up and trotted out of the office into the store and came back in a few minutes and closed the door again. He put a slim, handsome album in front of me. It was in a black fiber dust case. The album was of padded blue imitation leather. The pages had transparent slots for stamps, and Mylar interleafing.
"This is a brand made abroad. Lighthouse. Same color and size as Sprenger's. I provide it, after making the first investment. Right here on the front bottom corner, in gold, his book says Frank A. Sprenger. I get it done at the luggage place in the next block. This size fits nice in a middle-size safety deposit box. Here is the procedure. I buy something for Sprenger's account. Mary Alice keeps the records on the investment accounts. Mary Alice McDermit. Missus, but separated. She's been with me almost five years. Very sharp girl. Okay, I turn the item over to her, and she fixes up a Hawid or a Showguard mount or mounts and posts the price from the invoice in the ledger, on the page for Sprenger's account. She puts the item in the safe, and then when Sprenger can meet me at the bank, Mary Alice comes along too, and we take the box into one of the bigger rooms where there is room for three to sit down at a table. I show Sprenger what I bought for him and answer questions if he has any, and Mary Alice puts the item or items in the album just like this one as we sit there. Then it goes back in the box, and we get an attendant, and it gets locked into the hole in the wall and we leave."
"He comes alone?"
"He comes alone into the bank. Yes. There is usually somebody else in his car."
"The stamps were switched?"
"Listen. Almost two weeks ago, the seventh. Thursday. He was able to make it at eleven in the morning. I walked over with Mary Alice. I had some Zepps and some early colonials. Barbados and Bermuda. Solid investment stuff. Thirty-three thousand worth. Too much to keep here. Okay, it was like always. We went in. I showed him what I had. No questions. Mary Alice put them in the stock book. She wondered if she should put the Barbados on an earlier page with other Barbados. She looked back at that page. She had to turn some pages to find what she wanted. I got a look at the pages. Meyer, like I told you, I thought my heart was going to stop. I've got eyes like an eagle. Fifty years I've been looking at stamps. Across a room a diamond dealer can tell a good stone. Right? I'd bought prime merchandise for Sprenger. And I am looking at junk. It is not so obvious Mary Alice could tell. Sprenger couldn't tell in a year. What am I looking at? Bad centering. Some toning and staining. Some pulled perfs. Instead of very fine to superb, I am looking at good space fillers, if that. I felt for a minute like the room was spinning. What saved me, I didn't have any breath to say anything. Then my mind is racing, and I get hold of myself. When Mary Alice has put the new buys in, I take the stock book and leaf through it, saying something about Sprenger will never be sorry he made the investment. It is worse than I thought. Blocks reassembled from singles. Repairs. Scratches. Little stains. Not counting what Mary Alice had just put in, I had bought three hundred and sixty-two thousand dollars worth of standard classics. Mostly superb condition. Total catalog would run maybe three hundred and twenty-five. I was looking at stuff that was one fifth and one sixth and one tenth catalog anywhere. Sixty-five thousand at the best. Somehow I got the strength to walk out of there on my own legs. You think I've had a night's sleep since then?"
Meyer said, "Hirsh got in touch with me."
"It had been too long since I saw you last,"