The Invention of Solitude Read Online Free

The Invention of Solitude
Pages:
Go to
well. If, while he was alive, I kept looking for him, kept trying to find the father who was not there, now that he is dead I still feel as though I must go on looking for him. Death has not changed anything. The only difference is that I have run out of time.
    For fifteen years he had lived alone. Doggedly, opaquely, as if immune to the world. He did not seem to be a man occupying space, but rather a block of impenetrable space in the form of a man. The world bounced off him, shattered against him, at times adhered to him—but it never got through. For fifteen years he haunted an enormous house, all by himself, and it was in that house that he died.
    For a short while we had lived there as a family—my father, my mother, my sister, and I. After my parents were divorced, everyone dispersed: my mother began a new life, I went off to college, and my sister stayed with my mother until she, too, went off to school. Only my father remained. Because of a clause in the divorce agreement which stipulated that my mother still owned a share of the house and would be given half the proceeds whenever it was sold (which made my father reluctant to sell), or from some secret refusal to change his life (so as not to show the world that the divorce had affected him in a way he could not control), or simply from inertia, an emotional lethargy that prevented him from taking any action, he stayed on, living alone in a house that could have accommodated six or seven people.
    It was an impressive place: old, solidly built, in the Tudor style, with leaded windows, a slate roof, and rooms of royal proportions. Buying it had been a big step for my parents, a sign of growing wealth. This was the best neighborhood in town, and although it was not a pleasant place to live (especially for children), its prestige outweighed its deadliness. Given the fact that he wound up spending the rest of his life in thathouse, it is ironic that my father at first resisted moving there. He complained about the price (a constant theme), and when at last he relented, it was with grudging bad humor. Even so, he paid in cash. All in one go. No mortgage, no monthly payments. It was 1959, and business was going well for him.
    Always a man of habit, he would leave for work early in the morning, work hard all day, and then, when he came home (on those days he did not work late), take a short nap before dinner. Sometime during our first week in the new house, before we had properly moved in, he made a curious kind of mistake. Instead of driving home to the new house after work, he went directly to the old one, as he had done for years, parked his car in the driveway, walked into the house through the back door, climbed the stairs, entered the bedroom, lay down on the bed, and went to sleep. He slept for about an hour. Needless to say, when the new mistress of the house returned to find a strange man sleeping in her bed, she was a little surprised. But unlike Goldilocks, my father did not jump up and run away. The confusion was eventually settled, and everyone had a good laugh. Even today, it still makes me laugh. And yet, for all that, I cannot help regarding it as a pathetic story. It is one thing for a man to drive to his old house by mistake, but it is quite another, I think, for him not to notice that anything has changed inside it. Even the most tired or distracted mind has a corner of pure, animal response, and can give the body a sense of where it is. One would have to be nearly unconscious not to see, or at least not to feel, that the house was no longer the same. “Habit,” as one of Beckett’s characters says, “is a great deadener.” And if the mind is unable to respond to the physical evidence, what will it do when confronted with the emotional evidence?
    During those last fifteen years he changed almost nothing in the house. He did not add any furniture, he did not remove any furniture. The walls remained the same color, the pots and pans were not replaced,
Go to

Readers choose

Dan Kolbet

Marya Hornbacher

Jon Land

Margaret Blake

Catherine Stovall, Cecilia Clark, Amanda Gatton, Robert Craven, Samantha Ketteman, Emma Michaels, Faith Marlow, Nina Stevens, Andrea Staum, Zoe Adams, S.J. Davis, D. Dalton

John Norman