room behind the stage.
Heâd told year eleven that creating a portfolio sounded boring until you realised a portfolio wasnât a flat case for carrying a mass of drawings, but an opportunity to create exciting things that would never fit into a flat case. Heâd taken them to see landscape artworks at Petworth and West Dean. Theyâd visited the sculpture park at Goodwood and come away with wholly different ideas about creativity. Inspired, they started on projects of their own. Jem worked on a big scale with a leaping dolphin made from driftwood. Mel was collecting pieces of glass worn smooth by the sea and making an exquisite mosaic no bigger than a dinner plate. Naseem was building a Neptune figure entirely from seaweed. Ellaâs was a big abstract fashioned mainly from broken lobster pots.
Some afternoons Tom would drive them in the school minivan to one of the pebble beachesâBracklesham Bay and Selsey being only ten miles awayâand get them scavenging for materials. On these trips he was relaxed about smoking and swearing and he always fitted in a visit to the beach café. Heâd chat about almost anything except himself. His personal life seemed to be off limits. And of course the girls took this as a challenge.
âEver come down here at weekends, Tom?â
âFar too busy, Jem.â
âWhatâpainting and stuff? How do you relax, Tom?â
âIâm always relaxed. Havenât you noticed?â
âExcept youâve got to be sharp when youâre driving. Have you had it long, your MG?â
âSome time.â
âWho chose itâyou, or your girlfriend?â
âThat would be telling.â
âGo onâtell us.â
âIâve always liked sports cars. Most guys do.â
âAnd your girlfriend, does she like it?â
âWho are you talking about?â
âJust now you seemed to be saying thereâs someone.â
âIâm pretty certain I wasnâtâand if there was, I wouldnât.â
Laughs all round.
âSpoilsport. Is she an artist like you?â
âTalking of artists, Ella, give the others a shout, will you? They seem to be chatting up those skateboarders outside the café and I donât think we can justify it as performance art. Itâs time we started back.â
In the van, the interrogation started all over again.
âDo you have a long drive home, Tom?â
âNo more than anyone else.â
âWe were wondering where you live.â
âI wouldnât worry about that if I were you. There are more fascinating topics.â
âSuch as?â
âUnit three of your A level art.â
Groans.
âI mean it,â Tom said, and started telling them about the personal investigation element of their coursework. The prospect of writing up to three thousand words scared even the boldest of them. A neat way to head off the questions about his home life.
With so many girls desperate to know, it was inevitable that someone would find out. Ella came into the art room one morning and said, âItâs Boxgrove.â
âWhat is?â
âWhere Tom lives. One of the year nines saw him drive out of the gates of some major estate outside the village.â
âIs he rich, then?â
âGot to be a millionaire, hasnât he?â
âWhatâs he doing teaching if heâs as rich as that?â
âItâs a vocation.â
âCome again.â
âLike a mission, making the world a better place through art. He wants to spread the word.â
âYou think?â
âOr he fancies schoolgirls.â
âIf only.â
âIâve been thinking,â Mel said suddenly.
âListen up, people,â Jem said. âThe Chosen One is going to tell us something amazing.â
Everything went quiet in the art room. Mel was the odd one out, the only girl whose fees were paid by a trade union. She would