a big metal case that he sits on with all sorts of trays and drawers and compartments, and he keeps getting up to open all the drawers and trays. As if he’s looking for something. As if he hasn’t got any kind of an ordered storage system. He has this long net trailing in the water, with the open end pegged down on the bank. He uses it to keep the fish in once he’s caught them. It’s not clear why. Maybe he likes to count them. Or maybe he likes the way they look when he empties them back into the river, the silver flashes pouring through the air, the way they wriggle and flap for a second as though they were trying to fly. Or it could be for the company.
And he’s got this other net, a big square net on the end of a long pole. If he gets fed up with all the rods and reels and maggots and not being able to find what he’s looking for in those drawers, he could just sit on the edge of the bank and sweep it through the river until he comes up with something. Like a child at the seaside. Like a little boy with one of those coloured nets on the end of a bamboo cane.
Like a little boy whose dad was showing him how to use one of those nets, and lost it. At the seaside. When they were out on a jetty, and the boy’s dad was sweeping the net back and forth through the clear salt-water, and the boy was pulling at his arm to say: Let me try let me have a go, and the man dropped it in the water somehow. The little boy wanted him to jump in and get it, and his father had to say: I’m sorry I can’t. And the little boy wanted him to buy another one and the man had to say, again: I’m sorry I can’t. The boy started crying and there wasn’t much the man could do about it. He could have picked him up.
The way these things come into his head, sometimes. Standing there in the morning, looking at someone fishing, pissing on the stony ground that slopes down to the river, thinking about nothing much and then a man losing his little boy’s net pops into his head from years back. This really was some years back now. The way he couldn’t buy a new net to make it better. The little boy with his red hair.
He stands there each morning and he looks at the river, the fields, the sky. He tries to estimate what the weather will do for the rest of the day. He makes some decisions about the work he’s going to do on the treehouse or the raft. He thinks about making breakfast. He thinks about going to look for more wood.
It’s hard to understand why the people on the boats wave, sometimes. Perhaps they feel strange being out in the middle of the water like that. They feel vulnerable or lonely and it helps if they wave. Or they think it’s just what they’re supposed to do. Maybe they say ahoy! when they pass another boat. Who knows. The men on the commercial boats never wave. There’s one that goes by about once a week, a gravel-barge, and he’s never seen them waving the whole time he’s been here, not at him or the man fishing or at any of the other boats. When it goes upstream it sits high on the water, its tall panelled sides beaten like a steel drum. But coming back down, fully loaded, it looks like a different boat, sunk low in the water, steady and slow, a man in a flat blue cap walking the wave-lapped gunwales and washing them down with a long-handled mop. And he wonders, often, what would happen if the man fell in, if he would prove to be a good swimmer, if the driver of the boat would be able to stop and pull him back on board. Or if the man would drown and wash on to the shore where this small piece of stony ground slopes down to the water.
He’s not sure what he would do if that were to happen. If he would step down towards the man, and pick him up. Or at least drag him clear of the river. He’s not sure if he’d be able to do it. Physically. Mentally. Maybe the right thing would be to wait for the proper authorities. Maybe his part could be to walk out along the road to the phone-box by the