held up over the heads of many children and deer and their fauns, the
tiny pages marked with painted dots and squiggles not meant to be read. Behind this
group, the purple swell of impending storm clouds.
Suffer the children.
In
another, women knelt at Christâsfeet while monstrously
hunched humans staggered before the doors of the temple, where their wares lay broken
about the square.
The moneylenders.
Then there was Lazarus âluckless and
desolate, called to rise by a booming voice. The stone, like a conjurorâs hand,
moved aside to reveal the horror: Life . . . again. Mary in blue, always in blue,
inclined for mourning. Peter, confronted, denies his Christ, a rooster beside him in
pedigreed plumage. Peter is always pictured with a rooster, but the widow had forgotten
why. Finally, the martyred Christ in agony on a grey day with high wind.
Redemption
. Light suffuses the sky.
The widow sighed, enraptured. The little church was a cool, dim museum
infused with the comfort of stale incense. She sat back and ceased her ogling and
elbowing, and the bird lady beside her huffed with relief. The organ drew a breath and
barked once, and the faithful women jerked to attention. A fluttering of fans. A murmur
came from somewhere up front . . . no, not a murmur but a manâs voice. An old
minister droning. How long had he been talking? The widow strained to hear.
â. . . And the first of these is charity.â The
ministerâs voice was barely audible from the pulpit, he himself so small as to be
almost invisible. The widow eventually spied the man, shrouded in his fine little wooden
tower. A lectern carved from the same dark wood that raised before him. A cloth canopy
stretched over his head â
In case it rains
, her father would joke. Even
before his withdrawal from the church, her father called himself Jack in the Pulpit, a
black-clad pistil hiding in Godâs green underbrush.
â. . . Second is faith. Last is charity.â This was greeted
with a peeved sigh or two from the assembly.
âHeâs forgotten hope,â chuckled a female voice to her
left.
âItâs the same sermon as
last week
, â hissed
another in disbelief.
âShh!â
âHeâs getting old, is all. Who isnât?â
âLadies,
shh!
â
The service meandered along, eddying occasionally in a hymn, pausing for
the united shifting of the congregation to kneel and pray. The widow was happy to be
among these women, everyone wilting in their rarely washed Sunday clothes, seated among
the murals and statuettes and concrete flourishes. Though she was filthy and unslept,
she had the compensating poise of youth. Her skin was clear, her cheeks rosy. The dark
shadows under her eyes only made them seem deeper, clearer. She stood up with the rest
of the women to sing, holding her hymnal before her and gazing at the minister as he
waited impatiently for them to finish.
âChrist in you, the hope of glory. This is the gospel we
proclaim.â
Every word was like a comforting dream to the widow, and she sang her
lungs out. She didnât look at her page, she didnât need to; she knew this
and most of the hymns and psalms and lessons and prayers by heart. Nevertheless, a hand
reached up and flipped pages for her.
âYouâre on the wrong one.â A raspy whisper from the old
lady. When the widow turned to thank her, there was a keen intelligence peering back, a
question lingering there.
At the end of the service, the organ remained silent until the minister
had fled behind his barricades. Then a lengthy bawl of mismatched chords that resolved
slowly, mingled,and formed a sluggish processional. The more
sciatic participants struggled to their feet. The racket sufficient to drive guests from
the house.
People stood outside, chatting in loose federation on the church steps.
The widow moved among them like