how soon will the toilet be on? I got to take a leak.â
âNot till I run this new piece of pipe up. Go take a leak out back.â
âItâs too cold. I can wait.â
âSuit yourself,â he said. âWhereâs that can of grease?â
Oh, I tell you, trying to concentrate on that plumbing job was about the hardest thing I ever did. That music kept pouring down from up there, one tune after the next, slow, fast, in-between. It was funny: sometimes I thought I recognized a tune, and a moment later I wouldnât be sure. The cornet player would hint at things, and then heâd go running off in a different direction. That year âChina Boyâ was real popular, and in different spots it sounded like they were playing it. But every time I convinced myself, âChina Boyâ would disappear. Another time I got the idea they were playing âChicago, That Toddlinâ Town,â which naturally everybody was singing along the streets then. But I never was really sure.
It didnât really matter what the tune was. What counted was the way that music felt to me, the sparkle that was in it, the funny way it scurried along, going here and there, disappearing behind something and then popping out again. I couldnât believe music could make you feel that way.
Hard as it was, I managed to listen to the music with one ear and Pa with the other, and finally we got the job doneâwell, Pa got it done. Then he said to me, âIf you want to take a leak thereâs a toilet upstairs. Iâll turn the water on, you crack the faucets in the sink and see if everythingâs okay. While you do that Iâll start packing up so we can get out of here.â
I didnât have to be told twice, but shot for the rickety old wooden stairs. At the top was a trapdoor. I heaved it up and climbed out. I was behind a bar, which ran along one side of a big room. The place wasnât much fancier than the cellarâan old wooden floor gray from years of mopping, a couple of big ceiling fans for summertime, the green curtains over the windows, a bunch of wooden tables with dirty red-checked tablecloths on them. Across the room from the bar stood an old ruin of an upright piano that reminded me of a horse ready for the boneyard. The only people in the room were the cornet player, who was leaning up against the piano, one leg crossed over the other, while he played; and the piano player, who was colored.
But the cornet player was about nineteen or twenty and had straw-colored hair; so it wasnât nigger music after all. When he saw me pop up from behind the bar he stopped in midstream and took the cornet away from his mouth. âWhereâd you come from, kid?â he said.
âWeâre working on the pipes. They were all froze up.â
The piano player swiveled around on the stool, and sat there looking at me. He had a cigar about the size of a baseball bat clenched in his teeth, a derby hat tipped back on his head, and he was wearing a dark blue suit with the coat open so you could see his fancy plaid vest and gold watch chain. He raised his eyebrows at me. âYou always spring from midair like that?â He took the cigar out of his mouth so he could chuckle. âMighty fine trick. Mighty fine.â
âI came up from the cellar to check the faucets.â I wasnât sure I ought to ask questions, but I figured I was likely to. âWhereâd you learn to play that kind of music?â
âWhat? The jazz?â the piano player said.
âIs that what jazz is?â Iâd heard of jazz, but didnât know what it was.
âYou never heard any jazz?â the piano player said. âWhere you been, hiding in a closet?â
I didnât want to seem like too much of a dope. âI think I heard it, but I wasnât sure.â
The piano player tapped the ash off his cigar. âMighty hard to miss around Chicago,â he said. âWe