book.
I mean, unless it is a childrenâs picture book about happy and slightly annoying animals or something. Not an epic about omens and wars. We already had to deal with that once, when our lives began to resemble Homerâs Odyssey.
And I had to bring up The Aeneid . Maybe Iâm getting as obsessed as Hex is.
âWhat did the omen in the book mean, though?â Ash asks. âI canât keep track of all your stories.â
âYou have to start paying attention, man.â Hex frowns. âThat they should leave and start a civilization of their own. Thatâs the whole point of the book. Be brave, venture forth, make sacrifices.â
Ash shakes his dreads as if theyâll push the idea out of the room.
âWe already have our own civilization, here.â Ez puts his hand on his belly and his face blanches like heâs going to be sick.
Or maybe Iâm just projecting because thatâs exactly how I feel. I might be up for exploring the ship after seeing Veniceâs hair catch on fire but founding civilizations is a whole different thing.
âIâm not going anywhere,â Ez continues. âIâve had enough of that shit.â
âWeâll see,â says Hex. I know this person: when he says, âWeâll see,â it means weâre going to do exactly what he has planned for us.
*Â Â Â *Â Â Â *
In bed that night he tells me heâs wiped out from the day even though we didnât do much, really; the incident with the ship has affected all of us. I hold him tighter than usual so that he has to pry my fingers loose from his undershirt in order to shift his position. I close my eyes against the dark, my hand on Hexâs heart, and try to match my breathing to his, wishing he were still awake with me.
When I finally fall asleep I dream about my mother again. Iâm calling her on the phone, asking her to come home. She says sheâll meet me somewhere so I start walking. On the way I pass a graveyard on a hill. I didnât expect it to be there and it disturbs me. Itâs crowded with bronze and marble statues marking graves, so many that thereâs nowhere to walk. So many dead, I think, a world of the dead spilling down the sides of the hill. There are androgynous winged figures, women who are turning into trees, males with large heads and torsos balanced precariously on the small, delicate legs of goats, and one statue of the antler man from my other dream. Then I see a statue of my mother. I run to it but itâs difficult because of all the statues, all the graves in the way. Some of them are leaning over, threatening to fall on me. I get to the statue but itâs not my motherâitâs another woman with glittering eyes, and holding a spear. I see the eyes are holes and that there is a fire burning inside of the statue. A liquid substance is beading on her forehead and dripping down her arms. I touch it and see that itâs sweat. The statue raises her spear.
I wake shivering in a sheet of my own sweat and call for Hex. He grabs me around the rib cage and holds me until I stop thrashing. Iâve kicked the covers off and he reaches to retrieve the blanket from the foot of the bed and pull it around us.
âRemember, itâs just an illusion,â he tells me.
Iâm not sure if he means my dream or what happened to my brother. âYou want to leave, donât you?â I say into his chest. âBecause of the fire. But I thought you didnât believe in illusions.â
âI believe in Virgil.â
That old man again. âI donât want to leave here. I know we have to at least go to the ship butâ¦â
Hex says, âItâs okay. I promise, everything will be okay.â
âWhy?â I ask him. Iâm crying, tears running down my face like that sweat dripping off the infernal statue.
âBecause I love you,â he says. âAnd thatâs all we really