see the ship swaying in the dark waters, as if itâs watching us. We try to stay busy with our morning meditation and yoga class, our reading and drawing and repairsâIâm mending some shirts and Venice is attempting to fix a broken chairâbut itâs like we canât really concentrate. Hex has taken his sword down from the wall above our bed and every so often he reaches for it as if to reassure himself. But we skip sword practice today; itâs always hard to get Ez and Ash to comply and Hex, Venice, and I are too worn out from the morning incident to try to convince them. But as the day drawls on I canât sit still anymore.
âWe need to do something about it,â I say, finally. Before I wanted to get inside the house but now I feel like Iâm going crazy just sitting here.
I do a quick checklist of our abilities, trying to see how we could use them against an ominous ship or what might be aboard it. There are Hexâs sword-fighting lessons and we regularly lift the weights my father kept in the basement, Ez cooks and guides the meditation and yoga, and Ashâs music saved us from being eaten by a Giant. Ash once flew; Ez kept furniture from crushing him during the Earth Shaker; Hex put out fires; Venice once hid himself from the eyes of Giants and he has a supernatural ability with growing plants. And me, I stopped a wall of water from destroying my house during the Earth Shaker and after I lost my eye I began to see random visions of peopleâs pasts, although itâs happened much less lately. None of our gifts sound particularly promising.
âI donât want to explore just yet,â says Hex. âI donât like the effect it had on Venice.â
âBut thatâs the whole point. What if that happens again?â
We all look at Venice but heâs busy hammering away at the chair, singing softly to himself. Sometimes he gets a very peaceful look when heâs working, as if heâs back in our old life, minus the video games. Well, minus just about everything.
Finally he looks up. The peaceful expression is gone. âI wonât let it get me again.â
âIâm not going,â says Ez. âPen, we just have to wait it out.â
I get up and go to the window but I donât open the curtains. âWait what out? Wait for them to attack?â
âWhoâs them?â Ez says. âWe donât know if anyoneâs there at all. We donât even know if itâs real.â
âWhat, you think itâs a figment of all of our imaginations like what happened to Veniceâs hair?â I say. âCollective post-traumatic stress disorder?â
Thatâs our explanation for almost everything and it kind of makes sense after what weâve been through.
âWho knows? It could be anything. Weâve pretty much seen it all, right?â Ash chimes in.
We pretty much have.
âWhat do you think, Ven?â I ask, since the rest of them seem to have made up their minds.
My little brother shrugs. âI can beat it now.â
âIt looked like it was going to burn you to death,â I say, which I realize, too late, isnât exactly going to help Venice feel better about what happened. But it might get my friends to change their minds and deal with the situation.
âBut it didnât,â Hex says. âIt was some kind of hallucination we all had at the same time. Anââhe pauses and then emphasizes the next wordââillusion. And whatâs âitâ? The ship? How do we know theyâre connected? How do we know it means anything?â
Before I can stop myself I answer. âBecause your book says it is. The fire was like what happened to Aeneasâs son Ascaniusâs hair.â I pick up Hexâs precious Aeneid . âIt was an omen.â
We all look at each other, six sets of somber eyes, including Argosâs.
Oh shit, not another prophetic