road and has already pencilled in Little Angels Bakery as a possible filming destination for later in the competition, so donât bomb it.â
âWhy did you tell me that?â I complain. âNow I feel ultra-pressured.â
âWell, itâs lucky I like you, isnât it?â he murmurs secretively. âWeâll just have to fix the competition.â
âNo!â I exclaim in mock-horror.
âYes,â he replies suitably theatrically, waving down a taxi. âYouâve got a wicked streak, missy.â
âI think I might have.â
âHallelujah!â whispers Bradley in my ear as he opens the door to the taxi and ushers me in.
I think Iâm going to be OK but then, as the taxi sets off, I start thinking about meeting the Heavenly Baker and all the things that could possibly go wrong.
So many people, too many names, everyone saying âHelloâ, and already I feel caught in the undertow. Does a drowning woman have any last requests?
âHi, how do you do?â
It is like Moses parting the Red Sea. A moment ago there were people everywhere and now all I can see is a pair of oceanic blue eyes and a killer smile. He is dressed in blue jeans, ripped at the knee, Timberland boots, and a black polo tee. His chin is covered with a dayâs stubble, his hair freshly shaved.
âHi,â is all I can manage.
His handshake is firm but friendly and there is definite warmth in the smile he offers me. I admire the outline of his biceps and the way his tee clings to him, not skin-tight but fitted enough.
âSo you made it OK, then?â says Matt Richards.
âI did, thank you.â
âAnd there werenât any psychopaths waiting for you at the station?â
I glance at Bradley, who shrugs. âI had to give that one up,â he admits. âItâs comedy gold.â
âWell, mock away, then,â I say.
âSo, youâve met everyone?â asks Matt.
âI think so, but thereâs been so many names that my head is spinning.â
âSo my name is?â He ribs me gently.
âItâs on the tip of my tongue,â I say. Oh! My! God! Iâm flirting with sex god Matt Richards and itâs just so easy!
âI asked for that,â he admits.
âYou did really.â
âSo thank you for coming up at such short notice.â
âIs this the start of the interview?â I ask.
âDonât worry,â he replies, smiling. âYou passed that already. Anyone who phones to check whether Bradley is a serial killer has a guaranteed spot on any programme Iâm producing.â
âYou say that now,â I murmur.
A man is gesticulating at Matt.
âI have to go now before Henry has a complete heart attack but have a look around. Bradley is at your beck and call and weâll catch up in a little while. OK?â
âDo I have to prepare anything? I feel like I should prepare something, you know, like people do on real interviews.â
I can see Henry becoming more and more worked up but I canât help myself. I am magnetically attracted to this man. Wherever he goes I feel compelled to follow. Itâs probably not healthy but Iâll put it down to being in the Big City.
âAre you in the mood to bake?â
âIâm always in the mood to bake, but isnât that true of everyone?â
âNo,â he says shaking his head.
âOh?â
âI know. Itâs really puzzling.â He smiles and starts to walk in Henryâs direction. âBe ready in two minutes,â he calls back.
âWhat am I getting ready for?â
âWelcome to television, country girl,â declares Bradley with a wry shake of his head.
âWhat am I missing?â I ask, the fog of confusion hanging heavy around me.
âThis is live television, so no swearing, please,â Bradley reminds me.
I open my mouth to protest as the realisation dawns but Bradley is