is as likely to be the object of a lot of unprofessional interest as a single woman, in particular the attractive ones, of which, at the school, I can count only four. I look around, too. I may not say nothing, being a fifty-plus-year-old widow, but I still look.
Miguel was handsome in his own way but more important, for the purposes of our errand, tall and very strong-looking. When he showed up at my house he was still wearing his tie. He decided to keep it on, he said, because it made him look like he might be someone of authority. “I mean, I'm not gonna say I'm with La Migra or anything but it wouldn't hurt if they think we have some pull.”
The woman's house was very close to the customs bridge going into Juárez. It was a little house like others on that block, nothing special about it, and if my brother was in there, if they were holding him for ransom, never in a million years would I have guessed it would have been in such an ordinary place and right there in the middle of everything. The woman herself opened the door. She looked us up and down, especially Miguel, who did start to look like some kind of agent all of a sudden, with his Serpico long hair and bigotes.
At first she denied knowing anything, even the fact that she was the one who had called. Then Miguel took me by surprise. He pushed her, and next thing I knew, we were all in the house, in a dark, tiny, crowded living room with a dirty beige couch and two little kids, one in Pampers, in a playpen. “Listen,” he said right in her face, “you are going to tell us what happened to this woman's brother or you are going right to jail— today. Do you understand? Do you understand?” He pushed her again so that she went reeling back until she hit a wall. She started crying. She might've been around thirty or so, with a bulging midriff from babies,and her breasts already sagging. The house smelled of stale cigarette smoke. The TV was blaring a Spanish channel. I felt sorry for the babies who looked startled but hadn't started to cry. It was funny that they didn't cry when the mother was crying. Then she got hold of herself and looked me up and down. “What would I know about your brother?” she said to me with that same sneer I imagined that time she had called me. “Have you tried calling your family back in México? He's probably there.”
Before I could even say nothing, Miguel took her by the shoulders and shook her so hard her head went back and forth like it was on a spring. “I'm only going to ask you one more time,” he said. And before he asked again, she looked at me and with spittle coming out of the corners of her mouth and with more hate than I have ever felt from a human being, she seemed even glad to tell me, “Your brother must be dead, stupid. Why else do you think you never heard anything again? Do you think they come and tell
me
what goes on out there? I only know about the ones who make it. They come here until their people pay what they owe. Your brother? What do I know of him? They most likely left him to rot out in the desert because he was a tonto or maybe for being a pendejo he got himself killed. What do I know? Now get out of here before I tell my husband you were here and you'll both be sorry you came.”
It was like a movie. In movies about drug traficantes they have women like that, in their nightgowns in daytime in gloomy rooms and living an obscure existence. And they have guys like the one who drove up just as we were leaving, wearing a big anchor on a chain around his neck and a diamond earring in one ear. They—everything, even their frightened little kids who wouldn't cry—looked like they were right out of a bad drug video.
El coyote looked at Miguel as we left as if he was memorizing him, taking a mental photograph in case he ever saw him again. But neither said a word to the other.
I turned around and took a last glance at the woman, who stayed inside in the shadows. She knew something about my brother's