ââ
Suddenly everything stops, is clicked off. The ramjets, control columns, astronauts, silver scalpels, the bloody gauze, ticking machmeters, gismos, the body pale as paper ⦠fade, metamorphose into clouds of cotton wool flecked with pink. And now, through the clouds, someone is singing down rays, fine as spidersâ threads and bright as the glow of a million candles. And the young bikie, floating high up on the ceiling, hears that the singing has now become a voice. No, two voices. And the voices speak:
1st voice: Heâs nearly lost to them.
2nd voice: Heâs no loss to anyone.
1st voice: At heart he is good.
2nd voice: At heart he is evil.
1st voice: Never judge by appearances.
2nd voice: You and your homilies. But Iâve got one too â He who lies down with dogs will rise with fleas.
1st voice: Poverty is no sin.
âCome on Nom. Donât leave us ⦠Donât leave us.â
2nd voice: Heâs not poor. He gets by by knocking over little old ladies.â
1st voice: That doesnât make him evil.
2nd voice: Tell that to her.
âCome on, Kid, keep fighting ââ
1st voice: To err is human, to forgive, divine.
2nd voice: Heâs run out of time.
The voices fade. The rays begin to swing and sway, to spiral together, and in one great sweep of sound they form a tunnel, a gold and silver tunnel that rotates like a wheel, that turns on and on, that reaches beyond the cotton wool clouds, that reaches beyond everything ⦠To the blueness that is forever â¦
The boy goes to lift up his arms in an embrace, but something holds him back. Pulls him â¦
âThatâs it, Nom. Good boy, good boy â¦â
The image is fading. The dark is closing up â¦
âClosing up â¦â
âB.p. rising.â
âB.p. rising.â
âWhat are his chances?â
âIf there are no further setbacks â¦â
âB.p. stable.â
âOkay, heâs all yours.â The surgeon slips off his mask and gloves and stares for a moment from the window. He sees before him the patchwork pattern of farmyard and field, of chimneys, grey slate and TV aerials, children skipping off to school, women pinning washing on the line. The secure, accountable round of the start of day â¦
âThanks everyone,â he says.
8
The manager is an inquisitive man. This is the fourth time in the past, what? five, six weeks that theyâve ridden by his roadhouse. First, there were two, then four, then two again. Now thereâs six! âWhere are they off to?â he asks the pear-shaped urn. âItâs the same gang. Could anyone forget those snakes? And here they come.â The man stops, cloth in hand. A flock of crows rises up screeching as they thunder past.
âThereâs definitely something going on,â mumbles the manager and goes on polishing.
Outside, the crows return to their watch on the fence.
In the hospital a steady throb of footsteps has announced the visiting hour. Already Ward 7 is thick with the scent of flowers, low-slung voices and side-shifting eyes. A small child, bored with her whereabouts, wanders about, peers under beds, lifts the curtain around number 4 and scurries back to her mum.
The young bikie is wincing. His leg hurts and he bites his lip. He doesnât press the buzzer. Heâs had pain-killers a minute ago or was it an hour or yesterday? He doesnât know, he canât remember. He canât remember being put in this bed or how long heâs been here. It couldâve been forever. He could be here forever. His life washed away like a stick in a stream â¦
God, whoâs hanging about on the wall over bed 2, is a bit of a joker anâ a real original one if ya come to think about it. And the boy does. He thinks about God anâ the Big Man up there on a little curly cloud anâ the Big Man sharing a few homilies. Still going on, people are, âbout what he