jacket was draped over the back of an armchair; a newspaper was on the floor next to it.
âHmm â¦â I said, puzzled. âIt looks like someoneâs already staying here.â
The owner didnât respond. His eyes were glued to the table. There was nothing out of the ordinary on it, except a large bronze ashtray, in which a straight-handled pipe lay. A Dunhill, I guessed. Smoke rose from the pipe.
âStaying â¦â the owner said eventually. âWell, why not?â
I didnât know what to say to this, so I waited for him to go on. I couldnât see my suitcase anywhere, but there was a checkered rucksack with a bunch of hotel-stickers on it in the corner. It wasnât my rucksack.
âEverything has remained as he left it before his climb,â the owner went on, his voice growing stronger. âOn that terrible, unforgettable day six years ago.â
I looked dubiously at the smoking pipe.
âYes!â the owner cried. âThereâs HIS pipe. Thatâs HIS jacket. And that over there is HIS alpenstock. âDonât forget your alpenstock,â I said to him that very morning. He just smiled and shook his head. âYou donât want to be stuck up there forever!â I shouted, a cold premonition passing over me. â
Porquwapa
â, he saidâin French. I still donât know what it means.â
âIt means âWhy not?â â I said.
The owner nodded sadly.
âThatâs what I thought,â the owner said. âAnd thereâs HIS rucksack. I refused to let the police rummage through his things â¦â
âThatâs HIS newspaper, then,â I said. It was clearly yesterdayâs edition of the
Mur Gazette
.
âNo. Of course the newspaper isnât his,â the owner said.
âI got that impression too,â I agreed.
âThe newspaper isnât his, of course,â the owner repeated. âAnd someone else, naturally, has been smoking the pipe.â
I muttered something about a lack of respect for the dead.
âNot at all,â the owner retorted thoughtfully. âItâs much more complicated than that. Itâs much more complicated, Mr. Glebsky. But weâll talk about that later. Letâs get you to your room.â
But before we left he peeked into the bathroom, opened the closet door and then closed it again, and walked over to the window. He swatted the curtains a few times. It seemed to me like he wanted to look under the bed too, but restrained himself.
We went out into the hallway.
âI remember Inspector Zgut telling me that he specialized in so-called âsafecrackers,â â the owner said after a short silence. âAnd may I ask what your specialty isâif itâs not a secret?â
He opened the door to room number four for me.
âA boring one,â I said. âBureaucratic crimes, embezzlement, forgery, fraudulent papers â¦â
I liked my room immediately. Everything in it was squeaky clean, the air smelled fresh, the desk was absolutely dust-free, outside the clear window lay a view of the snow-covered valley and purple mountains.
âA pity,â the owner said.
âWhat do you mean?â I asked absently, as I glanced in at the bedroom. Kaisa was still there. Sheâd opened my suitcase and put away my things, and was busy fluffing the pillows.
âThen again, itâs really not a pity at all,â the owner remarked. âHavenât you ever noticed, Mr. Glebsky, how much more interesting the unknown is than the known? The unknown makes us thinkâit makes our blood run a little quicker and gives rise to various delightful trains of thought. It beckons, itpromises. Itâs like a fire flickering in the depths of the night. But as soon as the unknown becomes known, itâs just as flat, gray and uninteresting as everything else.â
âYouâre a poet, Mr. Snevar,â I