Diggers , the dance number. And all this talking.â
âAll what talking?â Frieda, who faced the rear of the bus, shook her head.
Stanley turned to behold the babbling riders. It was clear by their eyes and their expressions, all the apologies and hopes and hymns and ordinary wonderings, that these people were speaking. âIf she doesnât, fine, I donât either,â said a man in an Oilers cap, as he tapped his index finger on the window. â Necessito ir a la izquierda ,â said a girl with bad skin. The singer was a large woman with a stretched plastic Safeway bag full of mittens. Her voice rose but her lips did not move.
No oneâs lips moved, yet no one on the bus was silent.
Â
Weâre in the money, the skies are sunny,
Old man Depression, you are through,
you done us wrong.
Â
FOUR
I n the rotunda of the Royal Alexandra Hospital, a pianist played a Chopin nocturne. The man wore a black suit with a white shirt opened at the neck, and closed his eyes inmock-ecstasy when he stroked the high keys. On the mezza-nine, several patients sat or stood and listened. The very young and very old, thin and stricken, sat quietly and reverently in wheelchairs, their wrists attached to saline bags.
One woman in a red spring dress and black cardigan stared at the pianist through thick glasses. An elderly gentleman, her father, shivered in a wheelchair. She held his hand as she watched. With her other hand, the woman pushed her glasses into place. She wondered whether the pianistâs choice of music was appropriate in the daytime. This was the sort of music the woman in the red spring dress wanted the pianist to play at night, in her apartment, as she sipped wine and schemed to unbutton his crisp white shirt.
As he continued past the woman and toward the elevator, Stanley endeavoured to shut off his ability to listen. He heard everyone in sight, the patients and doctors and nurses and janitors, all but Frieda. The empty elevator, finally, was silent.
âAre you nervous?â Frieda rubbed the back of his neck as the car rose to the sixth floor. âYou look it.â
âSomething like nervous, yes.â
Like all doctorsâ offices, Dr. Lamâs was deliberately un-impressive, with fading paint on the walls and thin vinyl chairs in the waiting room. An infant sat near the coffee table with a communal Fozzie Bear, sucked by thousands of toothless mouths, pulling the bearâs arm and screaming intermittently. The babyâs mother sat talking on a cellphone, something about picking up a box of frozen dry ribs on the way home. Four others read People magazines from the previous century and various sections of the dayâs newspaper, and Stanley heard them aloud.
âAre you sore?â
Stanley moved his arms around. âNo.â
âHow do you feel?â Frieda squinted. âRight now. I mean, do you feel nauseous or weak or forgetful?â
âForgetful isnât a feeling.â
âWhatâs your motherâs name?â
âFriedaâ¦â
âTen seconds. Your motherâs name.â She looked at her watch and began counting down, silently.
Stanley pretended to be insulted by the simple question. Even though he had just looked it up a week ago, just written it in his notebook so he would not forget, Stanley had forgotten his motherâs name. He wanted to guess Alice but it didnât seem to match the quivering image of her. One good memory: a hayride at Lake Wabamun, his mother and father sharing a thermos full of hot chocolate and whisky. His youngest sister, whose name he also could not recall, had already died of polio. It was just Stanley, his other sister, Kitty, and their parents. How old was he? Seven or eight. âAlice.â
âAlice?â
âYes. My motherâs name was Alice.â
âYour motherâs name was Rosa.â
âDamn.â
âIâm coming into the room with