family. A grandmother. An aunt. Someone bound by blood or vows. âYou just have to play. This might be too much. It might not be enough. Promise me youâll keep up with it. Conservatory work is rigorous.â
For the first time since I hit puberty, Iâll miss summer music camp in LAâtrapped at the clinic instead. I canât imagine getting into one of the conservatories, playing for hours a day, leaving home for the luxury of music, replacing regular high school with a performing arts education. Mrs. Albright and I spent hours filling out applications and recording cassettes, but in the end, only three schools invited me to audition after I applied last fallâbefore the diagnosis. Back then, my only hurdle was getting in. There are so many obstacles now, but that doesnât change my dream of going. I want to spend my days at the piano, hours on end, losing myself in the notes. I didnât think I could want anything so much. Until Mom.
âI donât know how much Iâll be home,â I say. âWeâre in Mexico so much. There isnât a piano there. Honestly, with how things are with my mom, I donât know if I can even go. I havenât even told my parents.â
âWould it better if I have the schools send the acceptance letters here? We wonât hear for a couple more months.â
Iâm filled with relief that I wonât have to worry abouttelling Mom and Dad now. Or Adrienne. The last thing I want is for her to intercept my mail. âYes, that would be better.â
Mrs. Albright gives me a tender smile. âBut you need to practice whenever youâre able. Agreed?â
I promise with my whole body, eyes squeezed shut, hands clutching the music, head nodding.
âGood,â she says. âTurn over the folder.â
Louise Albright
555-3722
269 Mariposa Street
âIn case you run out of music.â
I want to hug her, but something about her, maybe her perfect posture, prevents me from doing so.
âPlay every day,â she says.
In the hall, Adrienne and Zach lean against the cinder-block wall near the door. Tall and lanky, Zach bends his head as he listens to Adrienne. She shakes her head. He speaks. She shakes her head again. Poor Zach.
âHey, Vanessa, tell her I can come with you.â
âFor the millionth time, no. Babcocks only. Itâs tradition.â Adrienne flashes a smile, half-playful, half-dangerous.
His eyes meet mine and I shrug an apology.
âWeâve got to get Marie,â she says as she reaches for her art supplies. âSee you soon.â
I turn away when she gives him an enthusiastic kiss good-bye.
Half of the parking lot waits at the exit, bumper to bumper, so close they resemble boxcars hitched to a steam engine.
Adrienne tosses her stuff into the backseat. Mom hasnât driven the car since the storm. Iâm promoted to shotgun.
I lean my head out the window. âMarieâs going to freak out if weâre not there,â I say.
She backs out of the space and drives in the opposite direction of the honking line. âThese fools donât spend half their time driving through TJ.â
Our wheels crush a patch of marigolds as Adrienne barrels over the sidewalk, off the curb, and into the street. Seamless and daring. She raises her middle finger at the school. âSee you later, motherfuckers.â
Chaos hasnât consumed Torrey Pines Elementary. Parents sit behind steering wheels, anxious and smiling. A small gaggle of mothers, wearing a uniform of pastel clam-digger pants and jelly sandals, huddle near the entrance. Probably moms of kindergartners, a club to which Mom once belonged. I donât remember running through the doors and into her arms. I canât imagine a time when she was strong enough to lift me.
Marie walks out alone. She wears a butter-yellow shirt with a drawing of one of her saints, horrible portraits sketched with an amateurish but