just smile back. The big guy gives me a clipboard. My hand trembles as I add my name to the list. I think of my dreamâour family name climbing that list for public housing. But here, itâs not Kilpatrick. Itâs just me, Angie.
âGreat, weâve got two dollars for a night of fun,â Clem hisses as we find a table at the back. âAnd how are you going to get your name off that list?â
âIâm not. Iâm performing.â
âNo way.â
âWait and watch,â I say. âAnd clap when Iâm done.â
Clem rolls his eyes. âI donât believe you.â
âIâll just have water,â I say.
âWe could share a tea,â Clem says, scanning the menu. âWait, hereâs somethingâ¦Iâll be right back.â
Clem heads to the counter to order. His jeans are baggy, and his band T-shirtâsomething overblown from Walmartâhangs from his shoulders in a way that makes me hurt. Itâs as if itâs hanging from a hanger. Clem has gotten bony. Maybe heâs going through a growth spurt. Stretching out.
I rehearse my piece in my head for the hundred-thousandth time. Last week, only one performer read from the page. The rest had their stories in their brainsâwhole paragraphs, whole pages. A few times, people got stuck. They forgot their words. Theyâd look up at the ceiling, then at the audience, and smile sheepishly. After ten seconds or so, the people in the audience would start snapping their fingers. It was a way to offer supportâthey were holding the beat of the piece. Itâs neat to hear a dozen people snapping their fingers. Itâs warm and low, like rocks knocking under the waves at the beach. Or maybe itâs the sound moths make to themselves when they bat their furry little wings. The finger snapping really seemed to helpâthe performers came around. Theyâd break into smiles and raise a fingerâ Right, got it! âand theyâd dive back in. The snapping would fade away.
If I forget my words, I donât think Iâll find my way again. It took me three days to write my poem or whatever it is. The next three days, I recited it over and over, fixing little mistakes here and there, cutting a word or choosing a better one. I was mostly laying the track though, burning it into my brain so it wouldnât fall apart while I slept. I wanted to get to a point where the words were all mine, forgettable as my own fingers, forgettable as my tongue, so I could then perform themâbend them, whisper or shout them without getting muddled.
I didnât imagine that Iâd be feeling this fevered with nerves. Iâll have to take my cheat sheet up to the stage with me after all. I wish Clem would hurry back. I need him to hide me a little. Twig Girl approaches the mic. The café goes quiet.
âGood evening,â Twig says. âA full house. New names on the sign-up list too. Weâre trending, I guess. Going viral. Contagion of the spoken word. And there ainât no vaccination. No shot, no potion, no pill, no serum. No cure. Youâll be stained, youâll be spoiled. Youâll also be cleansed, mended, glorified, even blessed. Yes! You will be freed.â
Twig smiles mischievously. She dips her head, and the crowd applauds. The first performer is an older guy in his twenties with a goatee. I donât hate a lot of things, but goatees look like pubic hair. Pubic hair on a personâs face is not a good thing.
âRemember these?â
Clemâs finally back. Heâs carrying two little cups of hot chocolate.
âKid size. A dollar each. You donât have to be a kid to order them.â
Clem doesnât seem embarrassed at all. But then he raises an eyebrow at me, quick and light, and his smile turns sad. I know what heâs saying. Heâs asking me, Is this going to end? How long can we live on kid-size hot chocolate?
I force a smile.