wounded.
âI was tired,â he begs.
âIâm sorryââ
âMy legs were stiff.â
We go silent. Mom looks ten years older than she did a minute ago. Her mouth is tight, and she clenches the steering wheel. Even her skin looks dull. Itâs the wear of worryâand guilt.
Because, of course, Clem is tired and stiff. What kind of champion sleeps with his knees bent and the soles of his feet pressed against the cold vinyl of a car door? Clemâs height is the saddest thing about living in the Skylark. Sometimes, in the middle of the night, heâll get out of the car just to stretch. Mom wouldnât let him for the longest time, saying it would draw too much attention. But finally she relented after Clem practically cried, his legs hurt so much. His whole body was hurting, even his underarms, he said. Sometimes, as weâre falling asleep, he rolls his window down and sticks his legs out and wiggles his pale toes in the inky night.
When we pull up to the Spiral Café, Mom reaches into her purse and hands us a five.
âSee you in two hours,â she says. She has a cleaning job to get to. I hate it when she cleans. Iâm afraid sheâll hurt herself again.
Weâve learned to open and close the car doors quickly, so people donât see all the stuff inside. âGoing camping?â people have asked. Or, âMoving day?â Iâm worried that if people figure it out, theyâll call social services and Clem and I will be put in a foster home. Mom says this wonât happenââThe police left us alone, remember?â But Iâve heard stories about kids being taken from their parents just because there isnât a table in the house and the kids eat sitting on the floor. Anyway, itâs cozy in the Skylark. The heater works fine. Mostly, we shut the door fast because we donât want the cold getting in.
The sidewalk is dark and empty. But the café is bright, thrumming with the people inside talking and laughing. On any other night, it would be comforting, but tonight my heart drops. It drops and drops, like a penny falling from the top of the Empire State Building, burning against the air. Like a bird, wings tucked in, bombing the surface of the water for a fish. A fish that it will miss.
âIâm nervous,â I tell Clem.
âWhat about?â
I havenât told him about my poem. I didnât tell Mom either. I donât want to be cheered on. I just want to do it.
âIâm nervous too,â Clem says.
âWhat are you nervous about?â
A clump of girls with pink hair and lip rings push past, laughing over an umbrella that wonât close.
âNot really my crowd,â Clem says, offering a quick, apologetic quarter-smile that Iâve seen cross Dadâs face lots of times. âI donât belong in artsy-fartsy places.â
I check him over. Heâs wearing skater gear from head to toe.
âYou should have won that bike race,â I say. âYouâre a phenom on the track.â
âWhatever.â He shrugs, then mumbles, âI need a coach.â
âWhen we get that swimming pool.â
Itâs our joke. Itâs as close as we come to saying, Where the hell are we? Why are we living in a car ? Without Dad? The unspoken theory is this, if we can afford to see our lives inside a joke, then weâll be okay. Weâll have a future.
A big guy wearing a bandanna and eyeliner, his sideburns trimmed into spirals, is collecting the entry fee. His T-shirt has a picture of a banana inside a circle. Bananarchy , it says.
âThree dollars,â the guy tells us.
My mouth goes dry. Clem shoots me a troubled look.
âEach of us?â I ask.
âUnless youâre performing.â
âIâm performing,â I say.
âThen itâs free.â
Clem elbows me. Heâs smirking, but his eyes are wide. How are you going to get out of this lie?
I