small enough pieces. If the pieces were too long, they tended to look more like they were glued to my face rather than growing out of it. I needed to make the pieces minuscule, so that they would look almost like dots. To achieve this effect, or the closest I could come, I bought a menâs electric beard trimmer and ran it across the tips of the hair, producing actual stubble-length pieces that, when applied, looked like a five oâclock shadow.
The key with the beard was not to put it on too heavily. My skin, like most womenâs, is not only softer to the touch, but much smoother to the eye than a manâs. Itâs also quite pale and pink in the cheeks. Consequently, as Ned, people were always telling me that I looked a lot younger than thirty-five, even though I had a lot of gray in my hair. But if your skin goes from peaches and cream above your cheekbones to Don Johnson below you look a little like Fred Flintstone. So I had to be careful not to get carried away with the stubble and try to stay within the bounds of what a young, fairly hairless man with fine skin would believably grow.
To help square my jaw I went to the barber and asked him to cut my hair in a flat topâa haircut I usually abhor on men, but which did a lot under the circumstances to masculinize my head. Then I went to the optician and picked out two pairs of rectangular frames, again to accentuate the angles of my face. One pair was metal, for all the occasions when Iâd want to look more casual, and one was tortoiseshell, for the occasionsâlike work or on datesâwhen Iâd want a more stylish look.
With the beard and the flat top, the glasses helped a lot in getting me to see myself as someone else, though the transformation was psychological more than anything else, and it took time to sink in. At first, I had a lot of trouble seeing myself as anyone but myself with hair glued to my face. Iâd been looking at my face all my life, and Iâd had short haircuts for much of that time. The stubble didnât really change that. I was still me. But the glasses did change that, or at least they began to. Then it became a mind game that I played with myself, and soon, with everyone else as well.
In the beginning I was so worried about getting caughtânot passingâthat in order to ensure my disguise I wore my glasses everywhere, and often a baseball hat, along, of course, with the meticulously applied beard. But as time went on, as I became more confident in my disguise, more buried in my character, I began to project a masculine image more naturally, and the props I had used to create that image became less and less important, until sometimes I didnât need them at all.
People accept what you convey to them, if you convey it convincingly enough. Even I began to accept more willingly the image reflected in the mirror, just as the people around me eventually did.
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Once Iâd finished doctoring my head and face, I began concentrating on my body.
First I had to find a way to bind my breasts. This is trickier than it sounds, even when youâre small breasted, especially when youâre determined to have the flattest possible front. First I tried the obviousâAce bandages. I bought two of the four-inch-wide variety and strapped them tightly around me, fixing them in place with surgical tape to make sure that they wouldnât unwind midday. This made my chest very flat, but it also made breathing painful and labored. Also, depending on how I was sitting, after a while the binding often slipped down and pushed my breasts up and together instead of out and down. Not a good look for a man.
In the end, cupless sports bras worked best. I bought them two sizes too small and in a flat-fronted style. Naked, it didnât make me a board, but with a loose shirt and some creative layering it worked fine. It was the most dependable method. It never moved. It never fell. It did, however, dig into my