walked in, carefully avoiding eye contact and turning to face the doors as soon as he could.
"Hello, Graham, haven't seen you today."
Graham beamed. He hadn't noticed Brenda in the corner. He turned and grinned and gave her his "maybe this afternoon" sign—a shrug and a fist rotated clockwise, one of the half dozen or so signs he'd developed over the years.
"I'll look forward to it."
He liked Brenda—always had—they'd joined the department at the same time, Brenda as a clerical officer, Graham as a messenger. She made him feel almost normal. She didn't treat him as deaf or stupid, she didn't slow down her speech or raise her voice or talk about him as though he wasn't there. She wasn't brusque or patronizing. She made him feel visible, something that Graham Smith appreciated more than most.
He waved goodbye to Brenda on the ground floor and slipped back into the Post Room to pick up his jacket and sandwiches.
And found something unexpected.
There was a second note in his jacket pocket.
Do it now. They're on to you.
He read it again, shocked. What did it mean? He flipped it over—blank—flipped it back. Do it now. They're on to you . Do what now? Who was on to him?
And who had written it? He didn't recognize the handwriting. Which was odd. He was used to finding strange notes in his pocket but they were always in the same handwriting. And it was always the same note—even if he never remembered writing it—it always contained the same basic information—name, address, job, place of work. All the information he'd need to get home or find his way to work. But this?
Had someone slipped it into his jacket while he'd been out of the room? Or maybe before that—on the street or on the tube? It hadn't been there when he'd left this morning, had it?
Not that he could trust his memory.
* * *
Best to ignore it, he decided. Ignore it and it will go away. It'll be a joke, probably Ray. He stopped at the curb and waited for the lights to change. People milled all around him; the noise of lunchtime traffic and conversation, music spilling out from the shops and passing cars.
The lights changed and a wall of people surged over the road. Graham hung back and let them flow around him. Then he was back on the pavement, his mind free of strange notes and soothed instead by the calming mantra of ritual. Left and right, back and forth, one foot after the other, each step preordained and symbiotic. Streets were like pets—they loved to be stroked. They loved the repetition, the constancy, the daily caress of a well-measured stride.
He noticed her shoes first, walking alongside him, matching his stride and avoiding the cracks. Her blue bird tattoo rising and falling to the amplitude of the street.
Then she spoke. Her voice low, soft and, unexpectedly, American.
"Don't look around. Look straight ahead. They're watching."
Graham wobbled momentarily, his eyes swivelling nervously from the girl on his left to whoever might be lurking in the shop doorways to his right.
"Pretend I'm asking for money."
She walked a little ahead of him, her body half turned towards him, her face boring into his. He kept on walking, not sure what he was supposed to do.
"Did you get my note? Look, I don't know what it is you do but whatever it is you better do it soon. They're on to you and they're gonna stop you. Any way they can. You know what I mean?"
He shook his head. He didn't have a clue what she was talking about.
"It's all right, you can talk to me. I'm a friend. Probably the only friend you've got at the moment. Trust me, there is some way serious shit going down and you're right in the middle of it. People want you dead. Important people with a lot of money and a lot of friends."
Graham swallowed hard and kept walking. This had to be a joke. He was invisible to the world. No one could possibly have any interest in him.
"Trust me, it's for real. You don't have much time. And burn that note I gave you, they go through