âWhere is he?â
âCattle car.â
Ian headed for the end of the train.
Inside the cattle car, he found the tense-looking sheriff feeding shells into his Colt while keeping an eye on the approaching riders through the opened door of the car. Ian surveyed the woman. The rope was no longer binding her but her hands were cuffed.
The sheriff looked up and scanned him silently before saying, âYouâre Vance Bigelow, the Preacher.â
Ian adopted the Bigelow name when he became an outlaw in order to hide his true identity, and continued to use it when the death of his wife, Tilda, turned him into a bounty hunter. He acknowledged the sheriffâs words with a nod. âCame to see if you needed my gun.â
âHeard Judge Parker made you a deputy marshal.â
It was true, and although Ian still had the star, the appointment wasnât something he crowed about.
âMy nameâs Wells, by the way. Iâm the sheriff over in Dowd. The riders belong to Hank Langley. Heâs holding her responsible for his sonâs death.â
The sound of gunfire was steady and close.
âI didnât kill him,â the woman said hotly, âbut Langley wants me to hang anyway. Give me my gun, Sheriff, so I can defend myself.â
âAnd have you maybe shoot me and the marshal and make a run for it? No, miss.â
Ian studied her while loading his gun. Was she a deadly beauty? The sultry set of her mouth alone could set brother against brother, and even with the fresh-looking scars and scrapes marring her skin, she was stunning.
He was about to ask for more details on the riders when the scream of the emergency brakes filled the air and they were thrown off balance as the train screeched to a halt.
âNow what?â Ian grumbled. âStay with her, Sheriff. Iâll be back soon as I can.â
There were three mounted men in the middle of the track. The brakes had been applied to keep the train from mowing them down. Surveying them from the engineersâ station at the front of the train, Ian sighed. At this rate, he wasnât ever going to get home.
One of the men yelled, âSend out the squaw and weâll let you pass!â
Ian assumed they meant Wellsâs prisoner. To hear her called a word as demeaning as the ugly word nigger didnât improve his mood.
The scared-looking conductor whined, âI have a schedule to keep and lives in my hands. Tell the sheriff to send her out.â
âHow about we send you out instead?â
The man drew back.
Ian stepped out of the car and down onto the track. As he did, he noticed that the five riders had caught up with the back of the train. They had their guns leveled on the sheriff and the woman and were forcing them to walk up the tracks while the wide-eyed train passengers looked on.
Ian added the number of men with the sheriff to the three waiting on the track. Eight against one, or maybe two, if the sheriff was able to wade in. Still, Ian liked the odds.
When he reached the three riders on the tracks, the big bearded man positioned in the middle, who appeared to be too heavy for such a small mount, asked disdainfully, âAnd who are you?â
Ian ignored the derisive tone and held up his star. âUnited States deputy marshal. You?â
The man quickly covered his shock with bluster. âHank Langley. That squaw murdered my son.â
âAnd what are you going to do with her?â
Wells and the woman arrived. Wells looked angry. The woman did, too, and Ian saw her meet Langleyâs mocking eyes with disgust.
âGonna teach her about justice.â
âJustice doesnât need a mob.â
Langley turned red as the conductorâs hair. âYou calling me a coward?â
âSure am. Also advising you and your boys to head home before you get hurt. Iâve been on a train for weeks and my temperâs not real good. Iâm liable to shoot you just for making us