does not answer me but instead runs his thumb over my eyebrow, apparently convinced of its genuineness. He drops his hand and says, "Men of my station are not introduced to harlots. Lift up your dress."
"What? Am I to be made a spectacle of, then, here before any who care to gaze upon me as I am shamed by you?" I ask, outraged. I shake off his hand.
"Hold her," orders Colonel Swithin, and poor Corporal Kelley, who I know wants no part of this, has to grasp me tightly by the upper arms and hold me steady. "I must protest this," I hear one of the officers of HMS
Juno
say, and there are echoing calls for the stopping of this outrage upon my person, but they are silenced with a hard look from their captain.
Shame on you, Captain Rutherford, for allowing this outrage to happen on your ship.
"Talbot. Jameson. Lift up her skirt and hold her."
The two Redcoat officers advance on me. They lift my skirt and petticoats up to my waist, and they wait, the cloth wadded up in their fists, my lower undergarments exposed to the light of day and the scrutiny of all. I do not squeal or struggle in protest. Instead I fix this despicable colonel with the proudest Look I can manage and remain rigid as they hold me thus.
Colonel Swithin, his kerchief still held to his nose, reaches out one finger and pulls the waistband of my drawers down over my right hipbone. I feel the cool of the air hit my skin and hear a gasp from the crew of the
Juno,
some of whom are my friends. Is that a
hmmmmm
of protest starting up?
Thanks, mates, but I know you can do nothing...
"Ah. Just where it is supposed to be," says the Colonel, referring to my damning tattoo. He withdraws his finger but not his handkerchief. "All is in order. You may cover her. Mr. Hale, step forward."
At that, the officers Talbot and Jameson release my skirts, which fall back down to my ankles. The officer holding the bag of reward money steps forward. If Captain Rutherford had been trying to resist licking his lips in anticipation, he failed in the attempt. It is not a pleasant sight to see, and so I look away. Neither do I look at Jaimy, oh, no. Instead I fix my gaze upon the face of the Colonel of Dragoons. His cheek is powdered and rouged, I notice, and a small black beauty mark is affixed on his right cheekbone. A curious fashion, I reflect, what they call
macaroni,
the high style, and curious indeed to find it here in the States.
"Captain Rutherford, have you a secretary with quill and ink so that we might sign the necessary papers?" he asks, apparently satisfied that I am indeed the Dread Pyrate Jacky Faber, Scourge of the Caribbean and the Normandy Coast, Misappropriator of His Majesty's Propertyâto wit, the brigantine bark
Emerald
âand, as such, properly despised by all good Britons.
"Smithers!" barks the Captain, and the ship's purser dives below, to reemerge with a small table and pen and ink, which he sets up very quickly in front of Colonel Swithin, who takes the pen from Smithers's quivering hand, dips it in the inkwell, and scratches his signature on the Letter of Prisoner Transferal, then hands the paper to Captain Rutherford.
"And now if you will just sign this receipt for the reward money, we shall be on our way, a good day's business having been concluded," says Swithin.
Captain Rutherford takes the pen, but he does not sign. At a nod from Colonel Swithin, the bag of money is placed in the hands of the purser Smithers, who takes the bag and disappears below. There is a pause as Captain Rutherford continues to examine the receipt form, until Smithers reappears and nods at the Captain. At this, Captain Rutherford beams, dips the pen, and signs the receipt. He hands it to Colonel Swithin, who passes it to his subordinate.
"All is concluded, then. I must take this creature back to New York, where, I assure you, she is most eagerly awaited. Put her inâ"
"I assume I am to go with this female, as you put it, to face whatever charges are against my good