name," I hear Jaimy call out.
"What is this?" asks Colonel Swithin. "Is there no discipline on this ship?"
Captain Rutherford reddens and says, "This man, Lieutenant Fletcher, has made it known that he is romantically attached to the Faber girl. I intended to take him with her back to London, to see if he had committed any crimes against the Crown in that regard."
"Charges against my good name have been lodged by Captain Rutherford because of my connection to this woman. I demand that I be allowed to be taken with her so as to be able to clear those charges against me." I still do not look in his direction.
"Well, then, perhaps we should take him with us. For interrogation," says Colonel Swithin, appearing to consider this option.
"Nay," says Captain Rutherford. "There is no warrant or reward out for him. He shall remain with us. I'll take him back to London and turn him over to the authorities." He turns to Jaimy. "No, sir, you shall come with us. You can see your lady love in London when they bring her out to the gallows! Perhaps you will even join her there!" He barks a laugh at his own wit.
At this, my heart dies within me.
"And what do you have to say about this young swain, then, Miss? He seems to hold you in some regard," sneers Colonel Swithin in my direction.
What can I do? I'm going to have to deny him to save him.
With the Look in place, I turn to face Jaimy. "This boy?" I say, my voice dripping with contempt. "Why, he is absolutely nothing to me. It is true we shared a friendship when we were children on the
Dolphin,
but since then he has turned against me in every instance of our meeting."
Strong hands now hold Jaimy back. His eyes burn into mine, but I hood my own eyes and go on. "What would I say about such a boy? That he proved untrue with another girl, that he sank my ship, an action which resulted in my capture, that he is member of a service that has vowed to bring me low, as low as you see me here. Nay, he is less than nothing to me. Let us be off. I hope the accommodations and the company in New York are better than what I have found here."
"Take her. I've had enough of her twaddle," says Captain Rutherford. Lieutenants Talbot and Jameson come up and take me by my arms. I give Michael Kelley's hand a final squeeze as he releases me. Lieutenant Hale takes up my seabag and I am led off the ship.
"Adieu, my good Captain," I hear Colonel Swithin say behind me. I assume there is much bowing and many compliments as he leaves. No compliments for me, though, as I am hustled down the gangway, across the wharf, and thrown roughly into the carriage. Lieutenants Talbot and Jameson are on each side of me. I sit there and fume.
In a few moments, the door opens again and Colonel Swithin heaves his bulk into the carriage. "Driver! Go!" he roars out the window, and we clatter off.
We sit there in silence for a moment, and then the Colonel says, "Well played, Miss."
And I say, "Well played, Higgins, but we must go back and get Jaimy, we mustâ"
"We must be calm and carefully plan out our next move. Mr. Fletcher is in no danger, believe me."
I put my face to the window and look up at the rail of the
Juno.
Is that Jaimy?
Oh, Jaimy, I didn't mean any of what I said, no I didn't, but...
"Miss, you must get back from the window. Here, let me undo your wrists." My hands were still bound but I didn't notice, as I am so often bound and confined.
"Oh, yes, very well played by all," chortles Mr. Bean, formerly Lieutenant Talbot, who sits on my right, "but I must especially compliment you, Mr. Fennel, on your portrayal of Officer Jamesonâyou were the very picture of a British junior officerâjust the right amount of officiousness, bluster, and complete asininity."
Both Mr. Fennel and Mr. Bean begin hurrying out of their uniforms, showing that particular lack of modesty common to the theatrical world. It is not an easy thing, as the carriage is rocking wildly back and forth. I noticed when I boarded that