someone who will understand.â Finchley unrolled the paper and smoothed it out on the table. It was a photoÂgraph of three men, taken at a restaurant table. The men were looking straight at the camera. Their faces were flat and bright, like a flashbulb had been used. The picture was old, and the men were wearing clothes from another time.
I recognized one man. âItâs Mr. John,â I said. âHe was my friend, up on the Hill. Heâs dead now. But this is him, a long time ago. I know itâs him.â
âYou have the clarinet, and you know this man.â
âBut I donât know why I have it,â I said. I explained how the widow Clark mistook me for someone else.
âBut you might have been the right man. She was expecting somebody. She blamed them.â I told Finchley about Leo and the shotgun. âWeâll get to that presently,â he said.
âBut what if theyâre looking for me now?â I said. âLeo was scared. Iâm scared.â
âThatâs good. Danger sharpens up the mind.â The woman came in through the curtain. âThe midget was ashking for you. I shaid youâd been here and gone,â she said.
âThatâs fine, Lydia. Have a drink.â
âWell, I donâ mind if I do.â She held out her glass. Finchley poured her a tall one, and she tossed it down in one gulp.
âShammysh rotÂgut is the worsht shince canned heat,â she said.
âHave one more,â said Finchley. She took her drink in both hands and went out through the curtain.
âWhatâs that about a midget?â I asked.
âJust a fellow I know. Trouble follows him, heâs like a human lightning rod. A sure sign that somethingâs up. â Finchley rubbed his hands with enthusiasm.
I was beginning to form an opinion of Finchley. Had I fallen in with a madman? I kept hearing Leo, âTheyâll wash you into the street.â It wasnât hard to imagine: The gutter on Spring Street. Sewer pipes. Garbage in the riverbed down by Aliso Flats. âWhat about the dead man on Utah Street?â I said.
âOmit nothing,â said Finchley. I tried to remember details. The blood caught his attention. âBlood on the walls, delightful! Sprayed, smeared, how was it done? Think, man, think!â
âSmeared, I would say. I didnât stick around there, I had to find a telephone.â
âSmeared how? Up high? Down low?â
âLow, definitely. It looked a little like letters. Maybe it meant something.â
âClose your eyes. What do you see? You knock. You open the screen door. You look about for someone in the house. Something makes you look down. Is something moving?â
âNo, itâs just feet.â
âDo you smell anything?â
âFrying lard.â
âMusic?â
âA radio. A soap opera. Ma Perkins ?â
âExcellent. Eleven oâclock to eleven fifteen, followed by Our Gal Sunday . You get the idea?â
âNo, I donât.â
âMy friend, consider. A man is listening to the radio while making lunch, sometime between eleven and eleven fifteen. But by the time you arrive, heâs been murdered, his blood smeared on the wall down by the floor. I suggest he named the killer with his own blood, then crawled into the kitchen and died. What did the blood spell?â
Then I saw it. âIt spelled âBook.â â Finchley picked up the telephone and dialed.
âHomicide,â he said into the receiver. He waited. Then he said, âTheyâre putting me through.â
After what seemed like days and days, a big man in a suit came into the room and sat down at the desk. I was handcuffed to a chair. He shuffled some papers around and looked over at me.
âSo, Mr. St. Claire. Frank St. Claire. I wouldnât be here, wouldnât waste my time, but thereâs too many connections.â
My mouth was dry and my tongue