agitates, richly, monotonously, around the cool drawn features of Mrs Westlake, the high china cheekbone, the dark mouth. A tentacle of her cigarette smoke touches his nostril, and hangs, in the lit woodland.
He fastens himself to her, as if to a magnification, fading from himself, like a motionless lizard.
One, two, three cigarettes. In the bird-ringing peace.
Pauline Hagen
Has turned back from the drive gate.
A leaf-bordered blankness
Like the suck of a precipice
Draws her along the bleak sweep of drive
Towards the white house.
Her legs move, as if to remain still were even more futile.
She looks upward
Into the open hanging underbellies of the trees
As if those puzzles held something from her.
As she walks
She feels too present, too tall, too vivid.
The level sprawl of world
Draws away tinily, in every direction.
It separates itself from her exposure.
She looks down
At the chaotic gravel.
Her eyes claw at the gravel.
Something in her is preparing a scream, which she dare
not utter.
Her legs carry her towards the house.
Twitchings jerk her eyelid, her cheek,
A tugging tightens her brow, so she has to rub her face in
her hands.
Something overpowering
Like an unmanageable horse, a sudden wild bulk
Starts rearing and wheeling away, to one side then to the
other
As if it would break out of her.
She halts, balancing giddily.
She has closed her eyes
Where Lumb is still with her
His presence strays all over her body, like a flame on oil,
His after-nearness, the after-caress of his voice
As if she breathed inside the silk of his nearness.
At the drive’s edge, she kneels among bluebells.
She shuts her eyes more tightly.
The bunching beast-cry inside her shudders to be let out.
She folds her arms tightly
Over this rending,
She bends low, her face closes more tightly.
Her moan barely reaches the nearest tree.
She is gouging the leaf-mould,
She is anointing her face with it.
She wants to rub her whole body with it.
She is wringing the bunched stems of squeaking spermy
bluebells
And anointing her face.
Lumb’s glance keeps glimpsing through her body
Churning tracks of soft phosphorescence
Like the first sweaty wafts of a sickness.
She wants to press her face into the soil, into the moist
mould,
And scream straight downward, into earth-stone darkness.
She cannot get far enough down, or near enough.
She hauls herself to her feet, towering
And walks
And enters the still house.
Rooms retreat.
A march of right angles. Barren perspectives
Cluttered with artefacts, in a cold shine.
Icebergs of taste, spacing and repose.
The rooms circle her slowly, like a malevolence.
She feels weirdly oppressed.
She remembers
A shadow-cleft redstone desert
At evening.
The carpet’s edge. The parquet.
The door-knob’s cut glass.
She observes these with new fear.
The kitchen’s magenta tiles. The blue Aga.
It is her fifteen years of marriage
Watching her, strange-faced, like a jury.
Coffee from silver, to disarm some minutes.
Leaning against the bar of the stove
She meditates blankly,
Fixedly.
She is like the eye of a spirit level
Intent
On earth’s poles, the sun’s pull, the moon’s imbalance.
A charioteer, for these moments,
On some rocking perimeter.
Major Hagen