offered funereal worship to the moon that was rising in my sky.
An assistant brought in the lid of the coffin and I was torn apart. It was screwed on. After the rigidity of the body, the ice of which was invisible, breakable, even deniable, this was the first brutal separation. It was hateful because of the imbecility of a pine board, which was fragile and yet absolutely reliable, a hypocritical, light, porous board that a more depraved soul than Jean's could dissolve, a board cut from one of the trees that cover my slopes, trees that are black and haughty but frightened by my cold eyes, by the sureness of my footing beneath the branches, for they are the witnesses to my visits on the heights where love receives me without display. Jean was taken away from me.
“It has no style.”
It was an agony for me to see the boy go off in the dissolution of a ceremony whose funereal pompousness was as much a mocking as familiarity would have been. The people walked around the coffin and left. The undertaker's assistants took the coffin, and I followed the black-clad family. Someone loaded the hearse with wreaths the way one garners bundles of hay. Each action wounded me. Jean needed a compensation. My heart was preparing to offer him the pomp that men refused him. No doubt the source of this feeling was deeper than defiance of the shallow sensitivity indicated by men's acts, but it was while I was following the coffin that friendship rose within me as the star of the dead rises at night in the sky. I stepped into the hearse. I gave the chauffeur twenty francs. Nothing was preventing the inner revelation of my friendship for Jean. The moon was more solemn thatevening and rose slowly. It spread peace, but grief too, over my depopulated earth. At a crossing, the hearse had to stop so that an American convoy could pass, and it took another street, when suddenly the silence, contained amidst the houses, welcomed me with such nobility that I thought for a moment death would be at the end of the street to receive me and its valets would lower the running board. I put my right hand to my chest, under my jacket. The beating of my heart revealed the presence within me of a tribe that dances to the sound of the tom-tom. I was hungry for Jean. The car turned. Undoubtedly I was made aware of my friendship by the grief that Jean's death was causing me, and little by little I became terribly afraid that since the friendship would have no external object on which to expand itself it might consume me by its fervor and cause my death. Its fire (the rims of my eyelids were already burning) would, I thought, turn against me, who contain and detain Jean's image and allow it to merge with myself within me.
“Monsieur! Monsieur! Hey! Monsieur, please stay with the men!”
Of course. I must stay with the men. The director of the funeral was wearing knee breeches, black stockings, a black dress coat, and black pumps and was carrying an ivory-headed cane entwined with a black silk cord at the end of which was a silver tassel. Someone was playing the harmonium.
Paulo was walking stiffly in front of me. He was a monolithic block, the angles of which must have scraped space, the air, and the azure. His nastiness made one think he was noble. I was sure that he felt no grief at his brother's death, and I myself felt no hatred for that indifference against which my tenderness was about to crash.
The procession stopped for a second, and I saw theprofile of Paulo's mouth. I mused upon his soul, which cannot be defined better than by the following comparison: one speaks of the bore of a gun, * which is the inner wall—less than the wall itself—of the gun. It is the thing that no longer exists, it is the gleaming, steely, icy vacuum that limits the air column and the steel tube, the vacuum and the metal; worse: the vacuum and the coldness of the metal. Paulo's soul was perceptible in his parted lips and vacuous eyes.
The procession stirred, then got under way