said empty words to each otherâ hello s and how are you s and âHow was the train ride?â and âThank you, Uncle Patrick, for picking me up.â
My father towered over him, as he towered over almost everyone. He was absolutely enormousâa great big man with the last name Little, which always made people laugh. His hand was a paw, and it swallowed Truâs hand whole when the two of them shook. His grip could crush, but I noticed that Tru didnât flinch, didnât seem to even blink, and I wasnât sure if Dad was going easy on him or if Truman simply wasnât rattled by it.
I told myself it was stupid to be nervous, but I couldnât help the blush that rose to my cheeks. I hated that I had to stand here, on display for someone who hadnât seen me in years. He turned to me, and I was ready for all the obvious comments about how tall I was, how he barely recognized me. I realized too late that I should have been prepared, should have thought of something clever to say. . . .
âHi, Frannie.â
His face was expressionless. He hardly seemed to see me at all.
I started to say hello back to him, but my mouth was dry, and I practically choked on the words. He looked at me like I was some sort of unfamiliar creature, a bug that he was not particularly happy to have stumbled upon. After that he clucked his tongue. Checked his watch.
Dad shifted his feet and cleared his throat in a way that seemed loud and unnecessary. He asked about carrying Truâs bags. There was a pause, and Tru shrugged. It was pretty clear he didnât need our help.
We left the train station through the fancy glass doors, heading toward the garage where our car was parked. My mind was a jumble of thoughts, stray puzzle pieces that I couldnât make fit together. Shit-eating grins. Corpuscles. Boy toys. An echo of Kieranâs voice: Truman is kind of a dick .
Why had I ever thought he would make my summer better?
We walked in a straight line: Dad, then me, then Tru. I could hear his suitcase rolling behind him, hitting a seam in the sidewalk every few feet. Then the sound stopped. I turned to see what had happened, and there was Tru, paused in his tracks, caught in a streetlampâs glow as distant skyscrapers sparkled behind him. He was looking straight up into the air.
âWhat is that?â he asked no one in particular.
The question caught Dad, who glanced back, too. He followed Truâs gaze and began to giggle.
My father looked like he should have some deep, echoing belly laugh, but no. He had a high-pitched little giggle. Like a girl,really. Iâd seen people jump at the sound, it was so unexpected. Right then he couldnât seem to stop. He was going like a motor.
When heâd gotten control, he crossed his arms over the expanse of his chest and looked at Tru. âItâs art!â he said. âFine art. Canât you tell?â
Tru looked again at the object in question, neck craned to see it in full. Seconds passed and then he laughed, too.
âNo, actually. Iâm not sure that I can.â
Dad and I had seen the sculpture a million times, but we came to stand beside Tru so we could look along with him. Two colossal figures, one a man and one a woman, were towering up from the roundabout in front of the train station. Their stiff, paper-doll-like bodies intersected to form an X. They were silver, constructed of shiny, rippling aluminum, and where their chests met, they shared a single heart made of soft lights that changed colors. They were fifty feet tall, a part of the skyline, and the bulbs at their center acted as a strange lighthouse that glowed gently over the city.
People hated the thing.
The sculpture had been up for years, and everyone still complained about itâhow much itâd cost, the way it clashed with all the old buildings around it. Just last year the newspaper had printed a letter to the editor about how even with some time