mine.) In the spring of 1974, I got my first respectable job, on the staff of Opera News, and in late summer of that year I talked my way into my first book contract. I called my parents, a few friends. They were shocked and thrilled. Then I thought Iâd tell my brother Jim. He wouldnât be thrilled, but he wouldnât be shocked either.
In fact, he was silent, distracted, holding a shoe in his hand. I was about to ask him to try to remake contact with the planet earth when I heard a pathetic mewing from somewhere in his apartment.
âWhatâs going on?â I asked.
âMice,â he said. âMice are going on.â
âMice squeak. I hearââ
âLaid in a cat,â he explained, âto catch some mice here.â
âLaid in?â
âBorrowed it.â
I decided not to pursue that one. Somewhere outside, probably, some poor slob was pacing the street calling out, âFelix! Felix!â
âSomething wrong with it,â he went on. âThe mice come out to play and that fucker doesnât even notice.â
âYou donât seem very impressed with my news.â
âMust be a cheese factory next door or something. Why should I be impressed? You always wanted to be a writer and you knew you were going to get there, so what the fuck? Tell me some news and maybeâ¦â
A mouse zipped out of the kitchen and disappeared behind the sofa as Jim heaved the shoe at it.
âItâs like an army of them,â he went on.
âWhereâs the cat through all this? Hiding?â
âI locked it in the bathroom yesterday to hunger it up so maybe then itâll straighten out and eat mice.â
âJesus!â
âFucking coward cat. Iâm not giving it any Puss ân Boots Number Four or so when it isnât pulling its weight here.â
Someone hit the buzzer downstairs.
âThatâs my man Dave coming around,â said Jim, buttoning him in. âNow that Johnny Boyâs tomcatting out on him, you know.â
Whose story is it, who tells it, and what is the story about? Walking the three blocks to Jimâs, I had thought it would be my story, about my ambition. It wasnât. But listen.
*Â Â Â *Â Â Â *
Dave and Johnny Boy. Okay, theyâre hard to do. Because it wasnât what they said to each other or whatever was in their eyesâeasy to recordâas it was the threatening clarity of their pauses. Their hesitations around each other. The way they would start to move toward each other, freeze, back off; and they would be smiling right then. It was all rather highly charged, needs the visuals. And there were those things you would hear about them, tooâlike âJohnny Boyâs tomcatting out on him.â
So just listen.
*Â Â Â *Â Â Â *
Dave came in and got the cat out of Jimâs bathroom, first thing, and told Jim, âYou got to aim your boy at a project.â He was in the kitchen opening a can of cat food. He petted the cat as it ate. âDonât you need to train this baby?â
âThe fucking cat and the fucking mice,â Jim muttered.
âYou wait, my friend, and Iâll show you what it is.â
âMice in my fucking house, you know.â
Dave was about thirty-five then, a rangy, ham-handed, jocular, greying blond southerner who went through life in a blue T-shirt on top of a white T-shirt. Johnny Boy, his inseparable companion, was a trim, muscly guy in his early twenties. Like Jim, they were ironworkers, freelancing on construction sites in and around New York. Dave drove a motorcycle and Johnny Boy had a mustache. Dave took it cool and easy and Johnny Boy ran to the moody. Dave was the chief and Johnny Boy, grinning, did as he was told. It was Dave who had named him Johnny Boy, and this story, I learned on the day of the mice, is theirs.
âNow watch,â said Dave, after the cat had fed, taking it over to where the mice were