Metalurgical; Phipps Tool and Die; Phipps Entertainment Industries. It was like a vertical country, where Phipps was landlord and king.
Holden went up to the foundation. A receptionist sat behind a glass cage, and Holden wondered if it was bulletproof. She stared at his Windsor Special. He could have waltzed out of another age, where men had all the elegance of a handsome, muted line.
âIâm Holden,â he said. âI have a breakfast appointment with Mr. Phipps.â
She pressed a button, whispered a few words, and said, âHave a seat.â
But Holden didnât like to sit in outer offices. He didnât like to sit at all when he was wearing his Windsor, because bending his knees ruined that flawless line.
He looked at the photographs on the wall, photographs of foundation projects. A room of battered wives; an ugly boy with a violin; a recreation hall of dying men. It seemed to Holden that the Phipps Foundation drew calamities to itself. But he was glad of it: there was nothing buttery on the wall, nothing meant to reward or inspire. It was like the spaces Holden had lived in, in spite of Windsorâs suit.
A woman came out of an inner office with a bow in her hair. She looked twenty in her tinted eyeglasses. Holden figured she was some messenger girl, an intern from one of the Catholic colleges. Perhaps a student nurse. She was a bit shorter than Holden. She shook his hand. And when she smiled, he knew she wasnât a nurse.
âIâm Mrs. Vanderwelle.â
Holden looked again. âYou canât be more than twenty-five.â
âIâm thirty,â she said.
âBut you run this operation.â
âYes, Mr. Holden. Iâve been around. I graduated from Harvard Law when I was nineteen.â
He couldnât decide if she was pretty or not. She didnât have Andrushkaâs long legs or Fayâs curly hair. She wore a suit, like Holden, but without a tie. Her perfume dug into Holden a little. He expected to see her on the walls, with a violin in her lap. Foundation Graduate, Gloria Vanderwelle, All-American Girl. But then he remembered that Vanderwelle was her married name.
She led him into a corner office that was laden with glass. It had the perfect pinch of Manhattan. Holden could see both rivers from those glass walls.
The old man was behind his desk. Holden was disappointed, because Howard Phipps wasnât wearing a tie. He had a shirt open at the collar and a cardigan with patched sleeves. He didnât get up when Holden entered the room.
Holden looked for Gloria, But sheâd slipped out with that bow of hers, and the bumper felt uncomfortable. Heâd never talked to a philanthropist or a billionaire. But then Phipps turned to look at him. There was a hardness around the eyes, a strictness to the cheeks. And Holden understood. Howard Phipps was a bumper too. It didnât matter how many hospices heâd built, or virtuosos heâd thrust upon the planet. Heâd had people killed. Thatâs why heâd wanted Holden in the house. So he could talk bumper to bumper.
âHolden, would you care to sit?â
âThank you, Mr. Phipps, but I prefer to stand. I like watching both rivers.â
âShould we have breakfast now?â Phipps said, like a kindly doll in his cardigan. If he was ninety, Holden couldnât tell. He had no liver spots or wattles under his neck. His hands didnât shake, and he didnât have Calendarâs waxen look.
âIs this the breakfast room?â Holden asked.
âNo. Weâll run upstairs to the restaurant. But Iâll be blunt. I purchased your contract six days ago.â
âIâm not sure what you mean.â
âI own Aladdin Furs.â
âYou bought out Bruno Schatz?â
âEntirely.â
âAnd I was never notified? Iâm vice president.â
âThat was window dressing,â Phipps said. âYou were never really an officer of