the corporation.â
âIâm speechless,â Holden said. âA vice president, and Iâm shunted out the door, like a bag of garbage.â
âHere,â Phipps said, and he handed Holden his check, signed by Howard Phipps, president of Aladdin Furs.
âBut itâs a dying operation,â Holden said. âThe Greeks own more than half the market. What would you want with a load of minks?â
âI wanted you.â
âI donât understand,â Holden said. âIâm not so valuable that you had to buy a whole company out from under the Swiss. If you needed a favor, why didnât you ask?â
âI did. But you never showed up for breakfast.â
âI was having problems with my fiancée,â Holden said.
âCome, letâs eat.â
The old man got up from behind his desk. He was taller than Holden, but his back was slightly bent. Phipps walked with a cane. His shoes looked like rubber boats. But even with the cane he was almost as quick as Holden.
They rode upstairs in Phippsâ elevator car and stepped out into a restaurant that was three stories high and had the tapered walls of a cathedral with cut glass and metal bands that circled the ceiling in narrowing lines. Holden figured they were near the roof. There were murals on the walls of a New York that belonged to an age Holden had never heard about. It was a city of ramparts and flying boats, where the streetlife seemed to exist on laddered walkways and terraces that could float. One of the murals had words beaten into the corner with gold.
MANHATTAN 1988
And Holden realized what it was. An artistâs dream of Manhattan fifty years ago, a futurescape of glass tendrils and concrete vines. A city dwellerâs idea of Jack and the Beanstalk. It was lucky that Holden had studied art and architecture with a graduate student from Yale. Heâd been trying to keep up with Andrushka, a mannequin from the fur market whoâd swallowed all of Cézanne after sheâd married Sidney Holden. And now Holden wasnât lost in this environment. He could interpret crazy murals on the wall.
But he didnât understand the restaurant. It covered an entire floor like some mock battlefield with soldiers that were held in place. Holden counted two dozen waiters. They couldnât have come from Fine&Schapiro. They were tall and very blond and wore dinner jackets that Windsor himself wouldnât have been ashamed of. But there was no turmoil attached to them. The waiters didnât move. And it had nothing to do with any awkward hour between breakfast and lunch.
No one eats here, except the old man .
âYou look startled,â Phipps said.
âWas this place ever opened to the public?â
âHolden, it was the classiest spot in town. Took weeks to get a reservation. Even I had a hard time, and I owned it. Thatâs how independent my managers were. âMake him suffer,â they said. Garbo had a corner table. She loved to watch people dance.â
âWhat was it called?â
âSomething simple. I didnât care for those Parisian titles.â
âSimple, but what?â
âThe Supper Club,â Phipps said. âThatâs all.â
âAnd then â¦â
âI closed it down.â
âDid you start losing money?â
âOf course not. And even if I did, I had a hundred offers to sell.â
âWhat happened?â
âLetâs eat,â Phipps said.
âAny particular table?â
Phipps smiled. âHolden, we can eat wherever you like.â
And Holden tramped among the tables with Phipps and decided to sit under a mural. It was like wandering into an orderly forest, where the waiters themselves were the animals and Holden the hunter, but he still didnât know why heâd come to hunt.
âWhat happened?â he asked while the waiters arrived with silverware.
âWhat always happens. I was in love. I