married ballerinas. What was so great about dancers? Nothin', nothin'! God had smiled on Jory's legs and made them pretty, while mine looked like knobby sticks that wanted to bleed.
"You hate me, don't you? You want me to die, don't you?"
He gave me a funny, long look. "Naw, I don't hate you and I don't want you to die. I kinda like you for my brother even if you are clumsy and a squealer."
"Thanks heaps."
"Yeah . . . think nothing of it. Let's go look at the house."
Every day after school we went to the high white wall and sat up there, and some days we went inside the house. Soon school would be over and we'd have nothin to do all day but play. It was nice to know the house was there, waitin for us. Spooky ole house with lots of rooms, jagged halls, trunks full of hidden treasures, high ceilings, odd-shaped rooms with small rooms joinin, sometimes a row of little rooms hidin one behind the other.
Spiders lived there and spun webs on the fancy chandeliers. Mice ran everywhere, havin hundreds of babies to put droppins all over. Garden insects moved inside and climbed the walls and crept on the wood floors. Birds came down the chimneys and fluttered about madly as they tried to find a way out. Sometimes they banged against walls, windows, and we'd come in and find 'em dead and pitiful. Sometimes Jory and I would arrive in the nick of time and throw open windows and doors so they could escape.
Jory figured someone must have abandoned the ole house quickly. Half the furniture was there, settin dusty and moldin, givin off smelly odors that made Jory wrinkle his nose. I sniffed it and tried to know what it was sayin. I could stand real still and almost hear the ghosts talkin, and if we sat still on a dusty ole velvet couch and didn't talk, up from the cellar would come faint rustlins like the ghosts wanted to whisper secrets in our ears.
"Don't you ever tell anybody ghosts talk to you, or they'll think you're crazy," Jory had warned. We already had one crazy person in our family--our daddy's mother, who was in a nuthouse way back in Virginia. Once a summer we went East to visit her and ole graves. Momma wouldn't go in the long brick building where people in pretty clothes strolled over green lawns, and nobody would have guessed they were crazy if attendants in white suits hadn't been there too.
Every summer Momma would ask, when Daddy came back from seein his mother, "Well, is she better?" And Daddy would look sad before he'd say, "No, not really much progress . . . but there would be if you would forgive her."
That always shook Momma up. She acted like she wanted that grandmother to stay locked up forever.
"You listen to me, Christopher Doll" my momma had snapped, "it's the other way around, remember! She's the one who should go down on her knees and plead--she should ask for our
forgiveness!"
Last summer we hadn't gone East to visit anybody. I hated ole graves, ole Madame Marisha with her black rusty clothes, her big bun of white and black hair--and I didn't care even now if two ole ladies back East never had a visit from us again. And as for them down in those graves--let 'em stay there without flowers! Too many dead people in our lives, messin it up.
"C'mon, Bart!" called Jory. He had already scaled the tree on our side of the wall, and he was sittin up there waitin for me. I managed the climb, then settled down next to Jory, who insisted I sit against the tree trunk--just in case. "You know what?" said Jory wistfully. "Someday I'm gonna buy Mom a house just as big. Every once in a while I overhear her and Dad talking about big houses, so I guess she wants one larger than the one we've already got."
"Yeah, they sure do talk a lot about big houses."
"I like our house better," said Jory, while I set about drummin my heels against the wall, which had bricks under the crumblin white stucco. Momma had mentioned once she thought the bricks showin through added "interesting texture contrast." I did what I could to make the wall more