Huh. Even if he came from someplace where they didn't shake hands, he ought to know the custom, unless he had hidden on a farm in the middle of nowhere all his life. She liked his grip, though: firm, confident. The strong muscles in his hand were unexpectedly erotic. Except they didn't feel quite right. She glanced down--
What the . . . ? He had a hinge in his hand.
A memory jumped out at Ricki, the image of the knife scar on the hand of her mother's boyfriend, the man who had lived with them for a year when Ricki was eight. The scar had run down the back of his ugly-assed hand the same way this hinge thing ran down the back of Del's. She dropped his hand with a jerk.
Del was watching her face closely. He lifted his arm, showing her the hinge. "This part of me, it intends . . . what is the word? It is meant to make better my hand. My ancestors, they design it." He folded his hand in lengthwise, from his knuckles to his wrist.
"That's, uh, fine." Ricki knew perfectly well he wasn't going to hit her with his damn hand. But she didn't want to talk about that scarlike hinge, look at it, even think about it.
She said only, "You aren't from Earth?"
He lowered his arm. "Not Earth. A planet called Lyshriol."
She had never heard of it. "Is it a colony?"
"Just a few hundred thousand people. Farmers mostly."
Well, jumping Josephine. He was a farm boy, and from some offworld dump to boot. She didn't know whether to be fascinated by him or irritated with Mac for bringing her the best-looking prospect she had seen in years and not preparing him for a major audition. Most clients would have been alert the moment she came in. They would have gone into their best game, trying to impress her with their professionalism and appeal. They would have offered their holo-shots and a vid detailing their experience. Farm boy here hadn't even recognized her. He acted as if he couldn't care less.
Had Mac set this up on purpose? It sent an audacious message: We don't even have to try. This kid had better be good, or she was going to be annoyed. And irritating Ricki Varento was a good way to crash and shatter in this business.
"You're a long way from the farm," she said.
"Never far enough," he answered in a low voice.
Interesting response. "So did you bring your music?" She didn't normally ask, but given how unprepared this guy seemed, who knew what he had with him?
For a moment, he looked startled. Then he tapped a ticker on his belt. "Here, yes, I bring music."
"Great." She gave him one of her high-wattage smiles and motioned at the studio below the window. "Let's hear what you can do."
"Just like that?" he asked. "I can go down?"
"Yeah, sure." Ricki held back her frown. The kid didn't come across as stupid, but his inexperience was obvious. Either Mac was losing his edge or else he was playing hardball at a level he had never done with her before.
She pointed the lift out to Del, then stood and watched while he left the booth. The lift hummed and a moment later he walked into the mesh-tech studio below. Greg Tong must have been waiting in the cockpit, because as soon as Del appeared, Greg opened a door across the room and walked in. He hadn't turned on the audio feed to the booth, so Ricki couldn't hear them, but Greg was plainly introducing himself. Although she could have switched on the audio, it intrigued her to watch their body language. Del seemed relaxed and curious, not keyed up the way most artists were before an audition of this magnitude.
Greg took the ticker from Del and went to the wall where the michaels, bobs, and janes hung. After choosing a bronzed mike, he brought it over to Del. And that was it. Greg returned to the control room they called the cockpit and closed the door.
Ricki flicked on the line to the cockpit. "Greg?"
"Heya," he said.
"What was that all about?"
"I asked him what he needed when he sang, what configurations, all that. The usual." He snorted a laugh. "You wouldn't believe what he told me."
"Try