Death at Blenheim Palace Read Online Free Page A

antiquities could be safeguarded against the attacks of time and human greed, Crete’s ancient treasures had better be left in Crete, rather than put on display in an English museum.
    If Charles had thought about it, he would also have had to admit that this was rather an odd point of view for a British peer. He was, after all, the fifth Baron Somersworth, patrician owner of a sprawling family estate and country house in Norfolk and holder of a hereditary family seat in the House of Lords. He should have been entirely committed to maintaining and preserving, at all costs, the long and proud traditions of his landowning family and governing class. He should have been wholeheartedly and unreservedly delighted to see the British Empire extending its influence to the far corners of the globe and acquiring the treasures of ancient civilizations to burnish its own.
    But these were not traditions from which Charles took any comfort. He had the feeling, as Joseph Chamberlain had remarked in the House of Commons, that the center of power was shifting, the old order giving way to a new, founded on democratic rather than aristocratic principles. In time, he suspected, the landed aristocracy of England would find itself entirely anachronistic, every bit as extinct and forgotten as the unremembered kings and queens of ancient Minoa, and exactly as dead and dusty as the dinosaurs.
    “Sheridan!” a voice exclaimed. “So glad to see you! And what do you think of our little exhibit, eh? Quite a sight, is it not?”
    Charles turned. The man striding energetically toward him, hand extended, was John Buttersworth, the Ashmolean’s Curator of Classical Antiquities.
    “Little exhibit?” Charles managed a chuckle. “I must say, Buttersworth, you and the museum have outdone yourselves this time.”
    “Indeed.” Buttersworth beamed. “And there’s more to come, Sheridan, much, much more. The number of artifacts Evans is uncovering is simply astounding, and each of them is a treasure in its own right.” His smile became broader, the light glinting off his gold-rimmed spectacles. “And it’s all to be shipped right here, every bit of it. A real feather in the Ashmolean’s cap, if I may be permitted to say so. The museum shall be acknowledged throughout the world as the chief repository of the glories of Minoan Crete.”
    “I’m sure,” Charles said dryly. There was no point in confiding his feelings about the exhibit to Buttersworth, who could neither understand nor share them. Instead, he raised the question that had been his real purpose for coming to the Ashmolean.
    “I haven’t been upstairs to look,” he said, “but I take it that the Warrington Hoard has been restored to its proper place.”
    “Indeed it has,” Buttersworth said warmly. “I must admit that we would have been lost without your assistance, Sheridan. To work through the usual channels would have been to risk scandal, and that was out of the question. I was utterly at my wits’ end when you came to tell me that you’d got word of the Hoard.”
    By “the usual channels,” of course, Buttersworth was speaking of the Oxford police. Charles understood the museum’s reluctance to involve them in the theft of a major holding, such as the Warrington Hoard. While local constabularies were adequate to the tasks of suppressing street crime and preserving order, they lacked the tools and finesse required to perform complex investigations. And once the police were brought into a case, all hope of confidentiality flew out the window.
    This was a special problem where adverse publicity—“scandal,” as Buttersworth put it—might cause just as much damage as the theft itself. The museum’s reputation would have been irretrievably ruined if the public had got wind of the theft of the Warrington Hoard, causing prospective donors to think twice before they trusted the Ashmolean with their precious collections. If the museum couldn’t safeguard the Hoard, how could