it protect other acquisitions?
The Hoard—a dozen major pieces of fine jewelry and tableware, perhaps the most exciting cache of Celtic gold and silverwork ever unearthed in England. It had been one of the Ashmolean’s most popular exhibits until some six months before, when the museum had abruptly closed it—for cleaning and conservation, officials said. The truth was that the Hoard had been stolen. Suspicion had fallen on a recently hired char woman, who, it appeared, possessed a remarkable talent as a screwsman (or in this case, a screws-woman) and had made copies of all the necessary keys. Charles Sheridan, known to his friends and associates as an amateur sleuth of some reputation, had been instrumental in the Hoard’s recovery. He felt he could hardly claim any credit in the business, however, since his involvement had been entirely fortuitous.
It was an interesting story. Mr. Rupert Dreighson of Castlegate Hall, some fifteen miles from Oxford, had retired from a profitable career as the owner of a string of drapers’ shops in Liverpool and Manchester and, now that he could afford such things, had become an enthusiastic collector of Celtic antiquities. In his passionate search for treasures to add to his collection, Mr. Dreighson had suggested to antiquities dealers that if a hoard should happen to turn up, he would be willing to pay a handsome price for it. Of course, everyone knew that such a transaction would have to take place on the wrong side of the law, for one who dug up a cache of gold and silver objects was required to turn over everything to the Crown. But these days there were a great many collectors who possessed more money than scruples, and the legalities were frequently disregarded.
In the event, Mr. Dreighson was delighted when an unknown lady—a well-bred woman of quiet demeanor and modest dress—called upon him at Castlegate Hall one day and offered to sell him an antique golden earring, with the suggestion that if he were interested, several similar pieces might be available, the price to be negotiated. The earring’s workmanship being quite extraordinary and Dreighson, being confident that it was without a doubt the real thing, handed over the money without demur, expressing an enthusiastic interest in the remainder of the collection.
Within a few days, he received a letter describing the pieces in detail and quoting a price for the whole. While the amount was high enough to raise Dreighson’s eyebrows, he was not the sort of man to quibble when it came to something he wanted as badly as he wanted this. Arrangements were made, the required amount was deposited, in cash, in the designated London bank, and the collection—a dozen pieces of great beauty and rarity—was safely settled in Dreighson’s capacious private vault.
And there it might have safely remained, if Rupert Dreighson had not been a braggart. He could not resist the temptation of showing off his newly acquired treasures to a friend from London, who had come for a weekend’s fishing to Castlegate Hall. A few days later, the friend happened to bump into Lord Charles Sheridan, and casually mentioned that a chap in Oxfordshire had privately got his hands on something rather remarkable, which—dash it all—had not come up for auction so others might’ve had a go at it. Charles, who had heard a whisper of rumor about the Warrington Hoard going missing, made a discreet inquiry at the Ashmolean, and Buttersworth was forced to admit the theft.
The next bit of business proved surprisingly easy. Under the guise of having a gold Celtic bracelet to sell, Charles arranged an introduction to Mr. Dreighson and talked his way into the Castlegate vault. Then, armed with the Ashmolean’s catalog and documentary photographs of the Warrington Hoard, he confronted Dreighson, who gave him a cock-and-bull story about buying the lot from a pair of navvies who had turned it up while digging a drain in a field in Essex. But the story soon