hole
even apples even hand grenades with indentations
for our fingers and the detonations patterns finding us
all this given and how ungrateful we are
dreaming that someday we won’t touch anything
that all this space will close on us
the fire sprout through us and blossom and
the tides
dear father of the fire save me enough room please
and dear water-mother I’d like two clear drops
to float in brothers and sisters I’ll need
your engines and computers I’ll need four tall buildings
and heaters and strong-bulldozers with
thick treads and switches and there must be
uniforms
there must be maps and hoses and
tiled rooms to drain the blood off
and will your voices
come telling me you love me? and your mouths
and hands? and your cold
music? every inch of me? every
hour of me?
After That
Do you know how much pain is left
in the world? One tiny bit of pain is left,
braised on one cell like a toothmark.
And how many sorrows there still are? Three sorrows:
the last, the next to the last and this one.
And there is one promise left, feeling
its way through the poison, and one house
and one gun and one shout of agony
that wanders in the lost cities and the lost mountains.
And so this morning, suffering the third sorrow
from the last, feeling pain in my last gene,
cracks in the struts, bubbles in the nitro,
this morning for someone I’m not even sure exists
I waste tears. I count down by fractions
through the ash. I howl. I use everything up.
Ten Below
It is bad enough crying for children
suffering neglect and starvation in our world
without having on a day like this
to see an old cart horse covered with foam,
quivering so hard that when he stops
the wheels still rock slowly in place
like gears in an engine.
A man will do that, shiver where he stands,
frozen with false starts,
just staring,
but with a man you can take his arm,
talk him out of it, lead him away.
What do you do when both hands
and your voice are simply goads?
When the eyes you solace see space,
the wall behind you, the wisp of grass
pushing up through the curb at your feet?
I have thought that all the animals
we kill and maim, if they wanted to
could stare us down, wither us
and turn us to smoke with their glances —
they forbear because they pity us,
like angels, and love of something else
is why they suffer us and submit.
But this is Pine Street, Philadelphia, 1965.
You don’t believe
in anything divine being here.
There is an old plug with a worn blanket
thrown on its haunches. There is a wagon
full of junk — pipes and rotted sinks,
the grates from furnaces — and there
is a child walking beside the horse
with sugar, and the mammoth head lowering,
delicately nibbling from those vulnerable
fingers. You can’t cut your heart out.
Sometimes, just what is, is enough.
Tails
there was this lady once she used to grow
snakes in her lap
they came up like tulips
from her underpants and the tops
of her stockings and she’d get us
with candy and have us pet
the damned things
god they were horrible skinned
snakes all dead
it turned out she’d catch
them in the garden and skin
them and drive
knitting needles up along the spines
and sew them on
it stank
the skins rotting in the corner heads
scattered all over the floor
it turned out she loved
children she wanted
to do something
for us we ate
the candy of course we touched
the snakes we
hung around god
we hated her she was
terrible
Sky, Water
for Bruce and Fox McGrew
They can be fists punching the water —
muskrats, their whole bodies plunging
through weak reeds from the bank,
or the heads of black and white ducks
that usually flicker in quietly
and come up pointing heavenwards.
A man can lie off the brown scum of a slough
and watch how they’ll go in like blades,
deeply, to the bottom,
and in his pale silence
with the long field furrows strumming
like distant music,
he will wonder at and pity
the creatures