used his appreciation as a pretext for drawing her, so to speak, into the family circle; by implying all the time that I was partly her responsibility, and altogether behaving towards her as if she were a second mother to me. But I noticed that his every look and gesture betrayed a secret desire for her. Whenever I caught a similar gleam in Cyril's eye, it left me undecided whether to egg him on or to run away. On that point I must have been more easily influenced than Anne, for her attitude to my father expressed such indifference and calm friendliness that I was reassured. I began to believe that I had been mistaken the first day. I did not notice that this unconcern of hers was just what provoked my father. And then there were her silences, apparently so artless and full of fine feeling, and such a contrast to Elsa's incessant chatter, that it was like light and shade. Poor Elsa! She had really no suspicions whatsoever, and although still suffering from the effects of the sun, remained her usual talkative and exuberant self.
A day came, however, when she must have intercepted a look of my father's and drawn her own conclusions from it. Before lunch I saw her whispering into his ear. For a moment he seemed rather put out, but then he nodded and smiled. After coffee Elsa walked over to the door, turned round, and striking a languorous, film-star pose, said in an affected voice:
"Are you coming, Raymond?" My father got up and followed her, muttering something about the benefits of the siesta. Anne had not moved, her cigarette was smouldering between her fingers. I felt I ought to say something:
"People say that a siesta is restful, but I think it is the opposite ..."
I stopped short, conscious that my words were equivocal.
"That's enough," said Anne dryly. There was nothing equivocal about her tone. She had of course found my remark in bad taste, but when I looked at her I saw that her face was deliberately calm and composed. It made me feel that perhaps at that moment she was passionately jealous of Elsa. While I was wondering how I could console her, a cynical idea occurred to me. Cynicism always enchanted me by producing a delicious feeling of self-assurance and of being in league with myself. I could not keep it back:
"I imagine that with Elsa's sunburn that kind of siesta can't be very exciting for either of them."
I would have done better to say nothing.
"I detest that kind of remark. At your age it's not only stupid, but deplorable."
I suddenly felt angry:
"I only said it as a joke, you know. I'm sure they are really quite happy."
She turned to me with an outraged expression, and I at once apologised. She closed her eyes and began to speak in a low, patient voice:
"Your idea of love is rather primitive. It is not a series of sensations, independent of each other. . . ."
I realised how every time I had fallen in love it had been like that: a sudden emotion, roused by a face, a gesture or a kiss, which I remembered only as incoherent moments of excitement. "It is something different," said Anne. "There are such things as lasting affection, sweetness, a sense of loss . . . but I suppose you wouldn't understand."
She made an evasive gesture and took up a newspaper. If only she had been angry instead of showing that resigned indifference to my emotional irresponsibility! All the same I felt she was right: that I was governed by my instincts like an animal, swayed this way and that by other people, that I was shallow and weak. I despised myself, and it was a horribly painful sensation, all the more since I was not used to self-criticism. I went up to my room in a daze. Lying in bed on my lukewarm sheet I thought of Anne's words: "It is something different, it's a sense of loss." Had I ever missed anyone?
The next fortnight is rather vague in my memory because I deliberately shut my eyes to any threat to our security, but the rest of the holiday stands out all the more clearly because of the rôle I chose to