louder than I expect. I try not to meet the eyes of any of the other people in the waiting area.
Another production assistant comes over and smiles at me. He puts his hand on my back and guides me through a doorway and into an empty hallway. My mom hurries along beside me.
âI donât know if they were mean to you or not,â the PA says. âIf they were, try not to take it personally. They just do it for TV .â
âWell, thatâs reassuring,â snaps Mom.
He smiles sympathetically and heads back to the waiting area.
Mom moves around to face me.
âYou okay?â
I nod, but I can feel the tears starting to come.
âOh, sweetie,â she says again. âWhat can I do?â
âI need to find a bathroom,â I blubber. âIâll be okay, I just need to find a bathroom.â
We walk down the hallway until we find a ladiesâ room. âYou want me to come in?â she asks.
I shake my head. âJust give me a few minutes.â
Thankfully, itâs empty. I lean into the sink and cry a little bit, just for a couple of minutes. I manage to compose myself, then wash my face. It feels good. I stare into the mirror. My eyes are a bit pink, but I look okay.
Thereâs nothing I can do about it now. As I turn to leave, the door to the washroom opens and Maria Tillerman pushes through. She stops when she sees me.
âOh,â she says.
âI was just leaving,â I say and start to move past her.
âHang on, honey,â she says. I stop and look at her, trying my best to smile.
âWhatâs your name again?â she asks. âI know it was just a few minutes ago, but I see so many people.â
âGerri Jones,â I tell her.
âThatâs right. Listen, Gerri,â she says, âthis is the way the show works. You shouldnât take it to heart. I can guarantee you they wonât use your clips on TV âyou were too good for that.â
âThat doesnât make any sense,â I tell her.
âLook at it this way. There are people who are born to get onstage and belt out songs, and they have loads of charisma and stage presence. Those are the people we take for the show. Then there are the people who are terrible, who we let through the process because they come across as funny, like that cowgirl who came in before you. It might not be the nicest thing in the world, but we need people whoâll make good TV .
âThen there are the people with good voices who havenât quite figured out the stage presence thing. People like you. The good news is that you can learn the stage-presence stuff, but you can never teach someone how to have a good voice. You have a really good voice. I hope you remember that. Music should be fun, not stressful. I hope you keep singing, because youâve got an instrument, girl. It would be a shame for you to waste it.â
âThanks,â I say.
âI mean it. Now I had better do my business and get out of here before they send in the troops after me.â
She goes into a stall and locks the door.
The last thing I hear as I leave is a muffled âGood luck, Gerri Jones.â
Chapter Four
On the drive home, Mom rants and raves about the whole Big Time process.
âWhat is wrong with those people?â she says as we peel out of the parking lot. âI mean, look at you, youâre adorable! Youâve got the voice of a honky-tonk angel! Theyâre crazy!â
âWhatâs a honky-tonk angel?â I ask.
âIt doesnât matter,â she says. âIâm trying to tell you that the system is obviously rigged, Gerri. The fix is in. The jig is up.â
âYou make it sound like a big conspiracy,â I say. âThey just didnât like me.â
âDonât ignore the facts,â she says. âIf it looks like a duck and talks like a duck, youâre probably dealing with a duck. Letâs pick up some pizza for supper.