so. All you have to do isââ
âPull up on the handle, yep, yep. Been there, done that.â
As he ambled around to the back of her Expedition with his hands tucked deep into the pockets of his overalls, Tess saw that the door of his truck hadnât shut all the way and the dome light was on. Thinking that the F-150âs battery might be as battered as the truck it was powering, she opened the door (the hinge screamed almost as loudly as the brakes) and then slammed it closed. As she did, she looked through the cabâs back window and into the pickupâs bed. There were several pieces of wood scattered across the ribbed and rusty metal. They were painted white and had nails sticking out of them.
For a moment, Tess felt as if she were having an out-of-body experience. The ticking sign, YOU LIKE IT IT LIKES YOU, now sounded not like an old-fashioned alarm clock but a ticking bomb.
She tried to tell herself the scraps of wood meant nothing, stuff like that only meant something in the kind of books she didnât write and the kind of movies she rarely watched: the nasty, bloody kind. It didnât work. Which left her with two choices. She could either go on trying to pretend because to do otherwise was terrifying, or she could take off running for the woods on the other side of the road.
Before she could decide, she smelled the whopping aroma of mansweat. She turned and he was there, towering over her with his hands in the side pockets of his overalls. âInstead of changing your tire,â he said pleasantly, âhow about I fuck you? How would that be?â
Then Tess ran, but only in her mind. What she did in the real world was to stand pressed against his truck, looking up at him, a man so tall he blocked out the sun and put her in his shadow. She was thinking that not two hours ago four hundred peopleâmostly ladies in hatsâhad been applauding her in a small but entirely adequate auditorium. And somewhere south of here, Fritzy was waiting for her. It dawned on herâlaboriously, like lifting something heavyâthat she might never see her cat again.
âPlease donât kill me,â some woman said in a very small and very humble voice.
âYou bitch,â he said. He spoke in the tone of a man reflecting on the weather. The sign went on ticking against the eave of the porch. âYou whiny whore bitch. Gosh sakes.â
His right hand came out of his pocket. It was a very big hand. On the pinky finger was a ring with a red stone in it. It looked like a ruby, but it was too big to be a ruby. Tess thought it was probably just glass. The sign ticked. YOU LIKE IT IT LIKES YOU. Then the hand turned into a fist and came speeding toward her, growing until everything else was blotted out.
There was a muffled metallic bang from somewhere.She thought it was her head colliding with the side of the pickup truckâs cab. Tess thought: Zombie Bakers . Then for a little while it was dark.
- 6 -
She came to in a large shadowy room that smelled of damp wood, ancient coffee, and prehistoric pickles. An old paddle fan hung crookedly from the ceiling just above her. It looked like the broken merry-go-round in that Hitchcock movie, Strangers on a Train . She was on the floor, naked from the waist down, and he was raping her. The rape seemed secondary to the weight: he was also crushing her. She could barely draw a breath. It had to be a dream. But her nose was swollen, a lump that felt the size of a small mountain had grown at the base of her skull, and splinters were digging into her buttocks. You didnât notice those sorts of details in dreams. And you didnât feel actual pain in dreams; you always woke up before the real pain started. This was happening. He was raping her. He had taken her inside the old store and he was raping her while golden dust motes twirled lazily in the slanting afternoon sun. Somewhere people were listening to music and buying products