unchanging positions of the four priests, its tapering contours formed by the tamping of scores of bare feet. Yes, Sybille thinks, this is a valid way of celebrating death, this is a fitting rite. Sweat runs down her body, her clothes become stained and muddy, and still she runs to the earth-quarry, runs from there to the mound, runs to the quarry, runs to the mound, runs, runs, transfigured, ecstatic.
Then the spell breaks. Something goes wrong, she does not know what, and the mists clear, the sun dazzles her eyes, the priests and the mound-builders and the unfinished mound disappear. She and Zacharias are once again in the octagon, golf carts roaring past them on every side. Three children and their parents stand just a few feet from her, staring, staring, and a boy about ten years old points to Sybille and says in a voice that reverberates through half of Ohio, “Dad, what’s wrong with those people? Why do they look so weird?”
Mother gasps and cries, “ Quiet, Tommy, don’t you have any manners?” Dad, looking furious, gives the boy a stinging blow across the face with the tips of his fingers, seizes him by the wrist, tugs him toward the other side of the park, the whole family following in their wake.
Sybille shivers convulsively. She turns away, clasping her hands to her betraying eyes. Zacharias embraces her. “It’s all right,” he says tenderly. “The boy didn’t know any better. It’s all right.”
“Take me away from here!”
“I want to show you—”
“Some other time. Take me away. To the motel. I don’t want to see anything. I don’t want anybody to see me.”
He takes her to the motel. For an hour she lies face down on the bed, racked by dry sobs. Several times she tells Zacharias she is unready for this tour, she wants to go back to the Cold Town, but he says nothing, simply strokes the tense muscles of her back, and after a while the mood passes. She turns to him and their eyes meet and he touches her and they make love in the fashion of the deads.
T HREE
Newness is renewal: ad hoc enim venit, ut renovemur in illo ; making it new again, as on the first day; herrlich wie am ersten Tag . Reformation, or renaissance; rebirth. Life is Phoenix-like, always being born again out of its own death. The true nature of life is resurrection; all life is life after death, a second life, reincarnation. Totus hic ordo revolubilis testatio est resurrectionis mortuorum . The universal pattern of recurrence bears witness to the resurrection of the dead.
Norman O. Brown: Love’s Body
***
“The rains shall be commencing shortly, gentleman and lady,” the taxi driver said, speeding along the narrow highway to Zanzibar Town. He had been chattering steadily, wholly unafraid of his passengers. He must not know what we are, Sybille decided. “Perhaps in a week or two they begin. These shall be the long rains. The short rains come in the last of November and December.”
“Yes, I know,” Sybille said.
“Ah, you have been to Zanzibar before?”
“In a sense,” she replied. In a sense she had been to Zanzibar many times, and how calmly she was taking it, now that the true Zanzibar was beginning to superimpose itself on the template in her mind, on that dream-Zanzibar she had carried about so long! She took everything calmly now: nothing excited her, nothing aroused her. In her former life the delay at the airport would have driven her into a fury: a ten-minute flight, and then to be trapped on the runway twice as long! But she had remained tranquil throughout it all, sitting almost immobile, listening vaguely to what Zacharias was saying and occasionally replying as if sending messages from some other planet. And now Zanzibar, so placidly accepted. In the old days she had felt a sort of paradoxical amazement whenever some landmark familiar from childhood geography lessons or the movies or travel posters—the Grand Canyon, the Manhattan skyline, Taos Pueblo—turned out in reality to look exactly