room.â
âWhat about me?â Miles asked.
âYou can stay here,â she said. âYou can even turn out the lights if you want.â
I followed Mom into a larger room that had a huge, dust-coated chandelier hanging from the ceiling. Only four of its lightbulbs were still working, flickering weakly and leaving most of the room in shadows.
âThat was the kidsâ TV room back when Hal and I were growing up, and this will be the dining room,â she said. âIt still needs some work.â
There was a massive table, covered in a white sheet, sitting under the chandelier. It was surrounded by twelve chairs, all covered in sheets, too, making it look like we were walking in on a dinner party for ghosts. As we made our way past the table, I noticed that the wallpaper was peeling off in spots and that the floor was covered in a fine layer of dust.
From there we walked into a slightly smaller room at the front of the inn. Moonlight spilled in through two large windows. The furniture in here was covered in sheets as well, but I could guess by their size and shape that they were a collection of chairs and sofas. There was a grandfather clock in the far corner. It had stopped at two oâclock, probably a long time ago, and I wondered if it had been two in the morning or two in the afternoon.
âThis will be the sitting room,â she said, and then turned to our left and exited through a tall, arching doorway. I followed her out of the sitting room and into the main foyer. The front door of the inn was to my right and a wide staircase that led to the second floor on the left. Another flickering chandelier hung from the ceiling.
âThatâs the drawing room,â she said, pointing across the foyer and into a room too dark to see into. âThe sunsets are incredible to watch from in there â the light just pours in. And that,â she added, pointing down a hallway that ran along beside the staircase, âleads to the kitchen.â
âWhere does Hal live?â I asked.
âHeâs converted the old servantsâ quarters into an apartment. Itâs off the kitchen, at the back, but donât go snooping around in there,â she said, heading up the stairs. âHeâs a little eccentric.â
âI noticed,â I said.
The stairs to the second floor were covered in a thick red carpet and the railing was wide and solid. I was looking forward to sliding down it sometime soon.
âHalâs been living here by himself for a long time,â she said, as we arrived on the second floor. âBut without his cooperation, Iâd never be able to do this, so give the man his privacy.â
âItâs on the to-do list, Ma.â
âThatâs the master bedroom and office,â she said, nodding at the door to our left. âThatâs where Iâll be living. Your room is just down here.â She led the way down a long, dark hallway to our right.
We stopped at the second door and stepped into a sleek- looking bedroom that didnât match the run-down look of the first floor at all. The walls were a dazzling white, while the floors were a dark hardwood. To my right was a dresser, and in front of me was a desk that sat under a window covered by dark wooden blinds. A black lamp, shaped like a boomerang, sat on one side of the desk, and a black vase full of fresh white flowers stood on the other. To my left was a low-lying double bed, covered with a puffy white duvet. My duffel bag was sitting at the foot of the bed, and a large black-and-white painting of a crooked old tree hung above the headboard.
âWhat do you think?â
âIt reminds me of something.â
She smiled. âYouâre sharper than you look, sunshine. Itâs an exact replica of a hotel room we stayed in when we visited Japan. All of the rooms are based on somewhere weâve stayed. Youâre in Tokyo, and Lilith is next door in