car down, âjust blew a tire.â
âWhat are you doing?â screamed Debbie, mascara streaking her face like war paint. âAre you crazy? Donât stop!â
But there was no choice. Sonya got out of the car. The back left wheel was already withering into a black rubbery goop. In the distance something like a bomb went off and a flash of light doused the neighbourhood; a few shots followed, then silence. Sonyaâs breath puffed from her face in clouds; she shivered and clutched her elbows.
Debbie came and stood beside Sonya, eyeing the flat. Mrs. Mendelbaum rolled down her window and stuck her head out to evaluate the damage. âTireâs flat,â she said, nodding sagely.
Esme hadnât moved since theyâd entered Minneapolis, and still sat petrified in the back seat, eyes tracking at once over everything and nothing, hands still hidden inside the pocket of her hoodie.
âIf you want to keep going,â Sonya told Debbie, âweâll have to walk.â
Debbieâs mouth opened, but no sound came out â her jaw just hung there slackly, her expression that of a stunned child watching a prized balloon lift into the heavens. The night was silent for a moment; everyone waited. Slowly into Debbieâs eyes seeped that old look, a hungry, focused sort of lunacy, and her mouth snapped closed with a clack of teeth. She looked from Sonya, to Mrs. Mendelbaum, to Esme â but they were passing glances, because now she was off, shrieking, the grenade raised over her head, high heels ticking on the asphalt as she vanished into the night.
âGoodbye, Debbie,â called Mrs. Mendelbaum from the back seat.
Sonya got back into the car and sat there, staring out the windshield: the darkness was broken by sporadic pockets of light from the flames of burning buildings. Things felt still again for a moment â but once again that was short lived, as a fireball, like an orange fist thrust righteously into the sky, rose up from the Home Depot at the end of the block. The air was thick with smoke and ash, and debris rained down and went scuttling along the street.
Coughing, Sonya pulled her shirt over her face. âAnyone have any ideas?â
Esme leaned into the front seat and turned on the radio.
âPeople,â cameâs voice, meek and exhausted, âU have gotta listen 2 me. This ainât no time 4 hate. Iâm â Iâm here. Iâm waitinâ. I donât wanna die 2nite.â There was a pause, then, and Sonya was sure she heard a sniffle â was he
crying?
âThis is a song I wrote,â he finally spoke, âand itâs called âJust as Long as Weâre 2gether.â I hope U listen to it and I hope it means somethinâ 2 U.â
The music began and everything slowed down. Outside things seemed to settle; the flames leaping from the Home Depot dwindled. The only sound wasâs voice over the shudder of instruments, the patter of drums. It was a sweet song. Everyone listened.
By the chorus all three of them had joined in: âJust as long as weâre 2gether / Everythingâs alright (everythingâs alright) / Everythingâs alright (everythingâs alright).â While Mrs. Mendelbaum provided subtle harmonies, it was Esmeâs voice that moved Sonya the most: beautiful but fragile, at once knowing and innocent.
Then the song was over. They waited forto speak, but only a light hiss of static played from the radio. Everyone in the car waited for another blast from outside, or rekindled gun battles, but none came. And there was something about this silence that didnât feel like an interlude â whatever battle had been raging seemed to be over.
Esme touched Sonya on the arm. She was pointing out the window at an alleyway off the main street. âCan you ââ
âDo you have to pee, dear?â asked Mrs. Mendelbaum, with a look of empathy that spoke of her own ongoing urinary