back to London, though I do have an unnerving suspicion. I say, you’re not well, Miss Noirot.”
They’d reached the bottom of St. James’s Street, and the day’s extreme warmth, already prodigious in Pall Mall, now blasted at them on a hot wind, which carried as well the dust of vehicles, riders, and pedestrians. Leonie’s head ached at least as much as her ankle did. She was trying to remember when last she’d heard Lady Gladys Fairfax mentioned, but pain, heat, and confusion overwhelmed her brain.
“That does it,” he said. “I’m carrying you.”
He simply swooped down and did it, before she got the protest out, and then it was muffled against his neckcloth.
“Yes, everyone will stare,” he said. “Good advertising, don’t you think? Do you know, I do believe I’m getting the hang of this business thing.”
Meanwhile, back at the British Institution
S ir Roger Theaker and Mr. John Meffat, Esquire, were among the few who’d paid attention to Lord Lisburne’s departure with Miss Noirot. The pair had arrived with Lord Swanton’s coterie, but were not exactly part of it, even though they were former schoolmates of the poet.
They were not Lord Swanton’s favorite old schoolmates, having bullied him mercilessly for nearly a year until his cousin got wind of it and thrashed them. Repeatedly. Because they were slow to catch on. They were even slower to forget.
They’d withdrawn some paces from the crowd following Lord Swanton, partly in order to maintain a safe distance from the dangerous cousin.
Theaker’s gaze lingered on the stairwell. Once Lisburne and the ladybird were out of sight he said, “Lisburne’s done for, I see.”
“If anyone’s a goner, it’s the French milliner,” said Meffat. “Ten pounds says so.”
“You haven’t got ten pounds,” said Theaker.
“Neither do you.”
Theaker’s attention reverted to the poet. They watched for a time the young women not-so-surreptitiously pushing to get closer to their idol, while he held forth about the Veronese.
“Annoying little snot, isn’t he?” Theaker said.
“Always was.”
“Writes pure rot.”
“Always did.”
No one could accuse them of not doing all they could to enlighten the reading public. Before Swanton had returned to England, they’d contributed to various journals half a dozen anonymous lampoons of his poetry, as well as two scurrilous limericks. Most of the critics had agreed with them.
But one fashionable young woman had ignored the critics and bought Alcinthus and Other Poems , Swanton’s book of lugubrious verse, and cried her eyes out, apparently. She told all her friends he was the new Lord Byron or some such. The next anybody knew, the printers couldn’t keep up with the demand.
Since watching the little snot wasn’t much fun, Theaker and Meffat turned their attention to the unhappy artist who, having righted his easel, was trying to repair his damaged painting.
They drew nearer to offer jocular advice and accidentally on purpose knock over items he’d carefully restored to their proper places. They suggested their own favorite subjects and argued about whether a corner of the painting more closely resembled a bonnet or a woman’s privates. Being preoccupied with tormenting somebody too weak, poor, or intimidated to fight back—their usual modus operandi—they never noticed the woman approach until she’d cornered them.
And when she said, “I must have your help,” they didn’t laugh, as was also more usual when a person of no importance sought their aid or protection. They didn’t even make lewd suggestions, which was odd, considering she was extremely pretty—fair and slender and young. John Meffat looked at her once, then twice, then seemed very puzzled indeed. He turned an inquiring look upon his friend, who frowned briefly, seeming to be struck by something.
Theaker shot him a warning look, and Meffat held his tongue.
Then Theaker broke out in a kindly smile—it must have