their assorted purchases. Several of the kids had bought glow-in-the-dark swords and were waving them around, threatening each other gleefully.
As we sat down, Matt’s dad came into the ring to do his dog show. Then the clowns came out again and played various tricks on audience members. One threw a bucket of confetti over the kids.
Great! I probably get to sweep all that up.
Next, Mr. Maurizio came back out. Dramatic safari hunting music began, and the circus lights extinguished quickly, as if they had been mysteriously blown out. A spotlight found the announcer in the center of the ring. “And now . . . the highlight of our
programma
! He was taken from the harsh, wild
giungla
, the jungles, of India and brought here to America. He is a fierce hunter, a
cacciatore bianco
, who stalks his prey in the wild, waiting, watching for the right time, and then, he . . .
springs
into action!
Movimento
!”
While he was talking, men brought out a large, round cage. It was shaped like a giant upside-down bowl with a chain-link fence tunnel attached to one side. They set it in the middle of the ring and clamped locks onto metal rings embedded in cement blocks.
Mr. Maurizio continued. He roared into the microphone, and the kids all jumped in their seats. I laughed at Mr. Maurizio’s theatrics. He was a good storyteller. He proclaimed, “This
tigre
is one of the most
pericoloso
—
dangerous
—predators in the entire world! Watch our trainer carefully as he risks his life to bring you . . . Dhiren!” He jerked his head toward the right, and then he ran out of the ring as the spotlight moved over to the canvas flaps at the end of the building. Two men had pulled out an old-fashioned animal wagon.
It looked like the kind of wagon on a box of animal crackers. It had a white, curvy gilt-edged top, big black wheels painted white around the edges, and ornamental carved spokes that were painted gold. Black metal bars on both sides of the wagon curved in an arch at the top.
A ramp from the wagon door was attached to the chain-link tunnel, as Matt’s dad entered the cage. He set up three stools on the side of the cage opposite from where he stood. He had changed into an impressive golden costume and brandished a short whip.
“Release the tiger!” he commanded.
The doors opened, and a man standing by the cage prodded the animal. I held my breath as an enormous white tiger emerged from the cage, trotted down the ramp, and into the chain-link tunnel. A moment later, it was in the big cage with Matt’s father. The whip cracked, and the tiger jumped up onto a stool. Another crack and the tiger stood on its hind legs and pawed the air with its claws. The crowd erupted into applause.
The tiger leapt from stool to stool while Matt’s father kept pulling the stools farther and farther away. On the last leap, I held my breath. I wasn’t sure if the tiger would make it to the other stool, but Matt’s father encouraged it. Gathering itself, it crouched low, assessed the distance carefully, and then leapt across the breach.
Its entire body was airborne for several seconds, with its legs stretched out ahead and behind. It was a magnificent animal. Reaching the stool with its front paws, it shifted its weight, and landed its back feet gracefully. Turning on the small stool, it rotated its large body with ease, and sat, facing its trainer.
I clapped for a long time, totally in awe of the great beast.
The tiger roared on command, stood on its hind legs, and batted its paws in the air. Matt’s father shouted another command. The tiger jumped down from the stool and ran around the cage in a circle. The trainer circled as well, keeping his eyes centered on the animal. He kept the whip just behind the tiger’s tail, encouraging it to keep moving. Matt’s dad gave a signal and a young man passed a large ring though the cage—a hoop. The tiger leapt through the hoop, then quickly turned around and jumped back through again and again.
The