explain her relationship with Miles to her mother. It seemed especially pointless now. She wriggled her fingers, and her mother instantly let go of Bethanyâs hand.
Being a former Buddhist, Mrs. Baldwin had always understood that when you hold onto your children too tightly, you end up pushing them away instead. Except that after Bethany had died, she wished sheâd held on a little tighter. She drank up Bethany with her eyes. She noted the tattoo on Bethanyâs arm with both disapproval and delight. Disapproval, because one day Bethany might regret getting a tattoo of a cobra that wrapped all the way around her bicep. Delight, because something about the tattoo suggested Bethany was really here. That this wasnât just a dream. Andrew Lloyd Webber musicals were one thing. But she would never have dreamed that her daughter was alive again and tattooed and wearing long, writhing, midnight tails of hair.
âI have to go,â Bethany said. She had turned her head a little, towards the window, as if she were listening for something far away.
âOh,â her mother said, trying to sound as if she didnât mind. She didnât want to ask: Will you come back? She was a lapsed Buddhist, but not so very lapsed, after all. She was still working to relinquish all desire, all hope, all self. When a person like Mrs. Baldwin suddenly finds that her life has been dismantled by a great catastrophe, she may then hold on to her belief as if to a life raft, even if the belief is this: that one should hold on to nothing. Mrs. Baldwin had taken her Buddhism very seriously, once, before substitute teaching had knocked it out of her.
Bethany stood up. âIâm sorry I wrecked the car,â she said, although this wasnât completely true. If sheâd still been alive, she would have been sorry. But she was dead. She didnât know how to be sorry anymore. And the longer she stayed, the more likely it seemed that her hair would do something truly terrible. Her hair was not good Buddhist hair. It did not love the living world or the things in the living world, and it did not love them in an utterly unenlightened way. There was nothing of light or enlightenment about Bethanyâs hair. It knew nothing of hope, but it had desires and ambitions. Itâs best not to speak of those ambitions. As for the tattoo, it wanted to be left alone. And to be allowed to eat people, just every once in a while.
When Bethany stood up, Mrs. Baldwin said suddenly, âIâve been thinking I might give up substitute teaching.â
Bethany waited.
âI might go to Japan to teach English,â Mrs. Baldwin said. âSell the house, just pack up and go. Is that okay with you? Do you mind?â
Bethany didnât mind. She bent over and kissed her mother on her forehead. She left a smear of cherry ChapStick. When she had gone, Mrs. Baldwin got up and put on her bathrobe, the one with white cranes and frogs. She went downstairs and made coffee and sat at the kitchen table for a long time, staring at nothing. Her coffee got cold and she never even noticed.
The dead girl left town as the sun was coming up. I wonât tell you where she went. Maybe she joined the circus and took part in daring trapeze acts that put her hair to good use, kept it from getting bored and plotting the destruction of all that is good and pure and lovely. Maybe she shaved her head and went on a pilgrimage to some remote lamasery and came back as a superhero with a dark past and some kick-ass martial-arts moves. Maybe she sent her mother postcards from time to time. Maybe she wrote them as part of her circus act, using the tips of her hair, dipping them into an inkwell. These postcards, not to mention her calligraphic scrolls, are highly sought after by collectors nowadays. I have two.
Miles stopped writing poetry for several years. He never went back to get his bike. He stayed away from graveyards and also from girls with long hair.