was shivering like crazy.
âWhy not?â the dead girl said.
âBecause Iâll go home and youâll be there, waiting for me.â
âI wonât,â the dead girl said. âI promise.â
âReally?â Miles said.
âI really promise,â said the dead girl. âIâm sorry I teased you, Miles.â
âThatâs okay,â Miles said. He got up and then he just stood there, looking down at her. He seemed to be about to ask her something, and then he changed his mind. She could see this happen, and she could see why, too. He knew he ought to leave now, while she was willing to let him go. He didnât want to fuck up by asking something impossible and obvious and stupid. That was okay by her. She couldnât be sure that he wouldnât say something that would rile up her hair. Not to mention the tattoo. She didnât think heâd noticed when her tattoo had started getting annoyed.
âGood-bye,â Miles said at last. It almost looked as if he wanted her to shake his hand, but when she sent out a length of her hair, he turned and ran. It was a little disappointing. And the dead girl couldnât help but notice that heâd left his shoes and his bike behind.
The dead girl walked around the cabin, picking things up and putting them down again. She kicked the Monopoly box, which was a game that sheâd always hated. That was one of the okay things about being dead, that nobody ever wanted to play Monopoly.
At last she came to the statue of St. Francis, whose head had been knocked right off during an indoor game of croquet a long time ago. Bethany Baldwin had made St. Francis a lumpy substitute Ganesh head out of modeling clay. You could lift that clay elephant head off, and there was a hollow space where Miles and Bethany had left secret things for each other. The dead girl reached down her shirt and into the cavity where her more interesting and useful organs had once been (she had been an organ donor). Sheâd put Milesâs poetry in there for safekeeping.
She folded up the poetry, wedged it inside St. Francis, and fixed the Ganesh head back on. Maybe Miles would find it someday. She would have liked to see the look on his face.
We donât often get a chance to see our dead. Still less often do we know them when we see them. Mrs. Baldwinâs eyes opened. She looked up and saw the dead girl and smiled. She said, âBethany.â
Bethany sat down on her motherâs bed. She took her motherâs hand. If Mrs. Baldwin thought Bethanyâs hand was cold, she didnât say so. She held on tightly. âI was dreaming about you,â she told Bethany. âYou were in an Andrew Lloyd Webber musical.â
âIt was just a dream,â Bethany said.
Mrs. Baldwin reached up and touched a piece of Bethanyâs hair with her other hand. âYouâve changed your hair,â she said.
âI like it.â
They were both silent. Bethanyâs hair stayed very still. Perhaps it felt flattered.
âThank you for coming back,â Mrs. Baldwin said at last.
âI canât stay,â Bethany said.
Mrs. Baldwin held her daughterâs hand tighter. âIâll go with you. Thatâs why youâve come, isnât it? Because Iâm dead too?â
Bethany shook her head. âNo. Sorry. Youâre not dead. Itâs Milesâs fault. He dug me up.â
âHe did what?â Mrs. Baldwin said. She forgot the small, lowering unhappiness of discovering that she was not dead after all.
âHe wanted his poetry back,â Bethany said. âThe poems he gave me.â
âThat idiot,â Mrs. Baldwin said. It was exactly the sort of thing she expected of Miles, but only with the advantage of hindsight, because how could you really expect such a thing. âWhat did you do to him?â
âI played a good joke on him,â Bethany said. Sheâd never really tried to