the bare rooms and corridors. So even empty, the flat seemed ready to be lived in.
Sanyogita led me by the hand down one of these shaded corridors. Past black metal grilles, I could see a small terrace with vine roses, potted frangipani and giant yellow and maroon dahlias. We came to a brightly polished double door with an old-fashioned bolt and a brass Godrej lock. Sanyogita took out a key she had kept pressed in her hand. It went loosely in and the lock fell open. We entered a long narrow room, the most furnished I had seen so far. It had a thin red rug, a black wood and cane chair and a maroon leather-topped desk with a green banker’s lamp on the far end. A window on one side overlooked the garden terrace. Sanyogita, standing on the balls of her feet, watched me take in the room.
On a wall covered with bare white shelves, one shelf contained new books. There was a dictionary of Islam, something called Infidels by a Cambridge professor and bathroom books: Oscar Wilde’s epigrams, a Second World War American soldier’s pocket guide to France, Elements of Style . On the desk’s maroon surface, marching along its gold border, was a family of blue and white porcelain elephants. I picked one up.
‘Be careful, baby,’ Sanyogita squealed on his behalf. ‘He’s the smallest!’
I sat down at the desk, slowly comprehending the surprise. Sanyogita watched with tense delight. At length I opened one of the desk’s drawers. The lamplight obliquely struck a neat pile of letterheads and envelopes. They were held in place by a paper band that read: ‘Alastair Lockhart. Fine writing papers, etc., Walton Street, London SW3’. And on the thick cream-coloured paper, under a faintly raised margin, it said Aatish Taseer in burnt red letters.
‘Baby, a present for your book,’ Sanyogita said, slipping her hand over my collarbone.
The room was the surprise.
She didn’t have one to spare; she had writing ambitions of her own; and though her flat was barely ready, she had made me a present of a study. I was speechless; it was the nicest thing anyone had ever done for me.
Sanyogita’s face shone with my delight. She became organizational: ‘Vatsala could make you coffee. I’ve just bought her one of those Italian things.’
‘Who’s Vatsala?’ I asked, trying to recover myself.
Sanyogita’s eyes brightened. ‘Vatsala, baby, the little goblin who brought me up?’ She stuck out her teeth and flared her eyes.
Vatsala Bai! I did remember her: she was a devious little widow in white who had moved with Sanyogita to Delhi. Her family had been with Sanyogita’s for centuries. She was devoted to her and suspicious of me, always taking every opportunity to remind me of how old and grand Sanyogita’s family was. We stayed in the room a few minutes more, then Sanyogita locked it and pressed the brass key into my hand with a kiss.
The flat, but for one small terrace and drawing room, had its back to the park. The bedroom was still bare, but for a low bed. Cane blinds shut the room off from the terrace and a modern steel light, with a salon drier head, drooped over the bed like a flower.
Sanyogita sat on the white lace bedcover, her toes hanging off the edge. She was full of Delhi news. She told me of my old friends, her new friends, gay men she’d had lunch with, fashion parties and the agitation in Chamunda’s state. It was Holi in a few days; she broke the sad news to me that my mother’s sister was not having her party this year, as the metro had claimed her house. She’d organized instead for us to go to the Times of India party with Ra.
‘Ra?’
‘Ra. Rakesh. My friend the jewellery designer.’
She wiggled her head. Two earrings dangled happily. They were long, with a line of glassy, rectangular diamonds set around a many-faced greyish stone in a paisley shape. There was a single, prominent ruby at the ear. The effect of that colour, like a sudden red light on a misty day, was startling.
‘He gave them to me