thoughtful eye, then shoveled the money into a shabby briefcase and slipped its catch. He took his hat off, straightened it around, put it back jauntily on the back of his head and gave me a quiet efficient smile.
“Never mind about the heater,” he said. “The town’s full of old iron. But you could leave the skiv with Clausen. I’ve done quite a bit of work on it to get it in shape.”
“And with it?” I said.
“Could be.” He flicked a finger at me airily. “Maybe we meet again some day soon. When I got a friend with me.”
“Tell him to wear a clean shirt,” I said. “And lend you one.”
“My, my,” the little man said chidingly. “How tough we get how quick once we get that badge pinned on.”
He went softly past me and down the wooden steps from the back porch. His footsteps tapped to the street sand faded. They sounded very much like Orfamay’s heels clicking along the corridor in my office building. And for some reason I had that empty feeling of having miscounted the trumps. No reason for it at all. Maybe it was the steely quality about the little man. No whimper, no bluster, just the smile, the whistling between the teeth, the light voice and the unforgetting eyes.
I went over and picked up the knife. The blade was long and round and thin, like a rat-tailed file that has been ground smooth. The handle and guard were lightweight plastic and seemed all one piece. I held the knife by the handle and gave it a quick flip at the table. The blade came loose and quivered in the wood.
I took a deep breath and slid the handle down over the end again and worked the blade loose from the table. A curious knife, with design and purpose in it, and neither of them agreeable.
I opened the door beyond the kitchen and went through it with the gun and knife in one hand.
It was a wall-bed living room, with the wall bed down and rumpled. There was an overstuffed chair with a hole burnt in the arm. A high oak desk with tilted doors like old-fashioned cellar doors stood against the wall by the front window. Near this there was a studio couch and on the studio couch lay a man. His feet hung over the end of the couch in knobby gray socks. His head had missed the pillow by two feet. It was nothing much to miss from the color of the slip on it. The upper part of him was contained in a colorless shirt and a threadbare gray coat-sweater. His mouth was open and his face was shining with sweat and he breathed like an old Ford with a leaky head gasket. On a table beside him was a plate full of cigarette stubs, some of which had a homemade look. On the floor a near full gin bottle and a cup that seemed to have contained coffee but not at all recently. The room was full mostly of gin and bad air, but there was also a reminiscence of marijuana smoke.
I opened a window and leaned my forehead against the screen to get a little cleaner air into my lungs and looked out into the street. Two kids were wheeling bicycles along the lumberyard fence, stopping from time to time to study the examples of rest-room art on the boarding. Nothing else moved in the neighborhood. Not even a dog. Down at the corner was dust in the air as though a car had passed that way.
I went over to the desk. Inside it was the house register, so I leafed back until I came to the name “Orrin P. Quest,” written in a sharp meticulous handwriting, and the number 214 added in pencil by another hand that was by no means sharp or meticulous, I followed on through to the end of the register but found no new registration for Room 214. A party named G. W. Hicks had Room 215. I shut the register in the desk and crossed to the couch. The man stopped his snoring and bubbling and threw his right arm across his body as if he thought he was making a speech. I leaned down and gripped his nose tight between my first and second fingers and stuffed a handful of his sweater into his mouth. He stopped snoring and jerked this eyes open. They were glazed and bloodshot. He